Fig.1 How to think of characters in a book.
I’m writing and taking advice on my writing. Against common sense I’m fixated on a fictional relationship between a character and 22 others. His serial relationship with each of these could be a short story each, a novel in the case of a couple of them. It looked like the main character was coming out of these relationships or encounters unchanged – that will change. This offers a way forward.
Each of the characters I am developed, or have developed, must have this effect, giving him:
And yes, the best ones do give him all of this. He doesn’t repeat the same mistakes, he learns for ill or for good and his attitude and therefore behaviour changes. It would be easier to being with a fool and a cad, like the Bill Murray character from Groundhog Day. I’m tempted: his traits as a child would therefore be aloof, alienating and anal. Sounds unpleasant. Things can only get better?