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E-Learning I – MAODE Modules, include innovation in e-learning, professional practices, open learning and ‘creativity, innovation and change’.
E-Learning II Research Practices in use of technology in learning
E-Learning III The Networked Practitioner
Google offers a myriad of ways to share content, whether images or words, from galleries to entire conversations. with circles and hangouts. Unwittingly I’ve been part of their ‘game’ since the outset, an early adopter of Picasa having migrated from Flickr. I’ve not invited much in the way of sharing though I now have over 175 ‘albums’ some of which contain a thousand images (the album max). Many of these albums are closed, or linked only to key family members or friends as they contain family snaps or holiday pictures. Some now contain an archive of deceased relatives (a grandfather, father and mother no less). Others are concept boards or scrapbooks, not just of OU work, far from it … but a place where these snippets of ideas and moments will be for decades while the hardware changes or breaks down, or hard copies, albums and scrapbooks, get lost, or damaged (or both).
I have THREE e-learning album galleries of screengrabs and photos, graphic mash-ups and such like spanning the three years and nine months I’ve been on the MA ODE.
This current E-learning III album is taking everything from H818. It is in every respect an OpenStudio platform – if I chose to share its contents then people may, with various copyright permissions (creative commons) use and re-use the content – though plenty of it I grab as a personal aide memoir and is therefore of copyrighted material.
The value of these becomes greater over time – it is a short hand back into a topic, and in time, indicative of how swiftly things are moving. These platforms are leaking out into formal learning contexts; there could be a tipping point, where someone or something happens that galvanises massive interest, say the ‘Stephen Fry’ personality of Twitter, or the Arab Spring of Twitter where J K Rowling or Tracey Emin open their galleries to the world. Meanwhile, without meaning to be unnecessarily derogatory, OpenStudio is the ‘sheep pen’ while Picasa Web Galleries or Google Galleries are the ‘market’ – the sheep pen is closed and local, while the market is global, open, virtual, connected and online.
Fig.1. YouTube video for the Museum of London‘s NFC initiative in 2011
Having picked through links that came to a dead end in a fascinating paper on the variety of technologies and tactics being used by museums in relation to mobile learning I started to see and read more and more about the use of QR codes (those matrix two-dimensional bar codes you use with a smartphone) and NFC ‘Near Field Communication‘ which is becoming an industry in its own right.
Having been kept awake at night about a need for ‘constructing knowledge’ rather than being fed it I knew that visitors, students especially, need to engage with their surroundings by somehow seeking and constructing their own views.
Without QR and NFC the simplest expression of this is taking notes, and or photographs of exhibits – not just selfies with a mummy or your mates. Possibly doing bits of video. And from these images cutting/editing and pasting a few entries in a blog, Prezi or SlideShare. QR and NFC feed the visitor controlled and curated bite-size nuggets, so more than just a snap shot, you can have audio and video files, as well as more images and text.
Fig.2. South Downs Way QR Code.
Successful trials mean that these have spread. Funny I’ve not noticed them living in Lewes and walking the dog most days on the South Downs. I’ll take a look. NFCs have been used extensively, for 90 exhibits, at the Museum of London – so a visit is required. Though I won’t be ditching my iPhone. Apple does not support NFC believing that the technology is still in its infancy … like Flash, like Betamax and VHS, and all that stuff, a battle will be fought over the NFC benchmark.
So 60% penetration of smartphones in the population … most of all of which can use a QR code, but less using a early version of NFCs. My experience?
Fig.3. QR Codes at the Design Museum
Last year a visit to the Design Museum I found the ‘Visualizing the mind’ exhibition littered with QR codes.
They didn’t work. Just as well they had ample computers. How often do organisations jump on the IT bandwagon only for a couple of wheels to fall off further down the road?
Meanwhile I’m off to walk the dog .. then using a trip to see Gravity at the Odeon Leicester Square with my kids to include an educational tour to the Museum of London (always handy to have a teenager around when using mobile technology).
‘REPORTING RESEARCH’ 2013, Interpretation Journal, 18, 1, pp. 4-7, Academic Search Complete, EBSCOhost, viewed 10 November 2013.
Just because an ‘editor’ contributes to content in Wikipedia does not make them an authority. Imagine a feature film or documentary made where anyone can chip in and perform whatever role they fancy. Does this not pander to the poser and the ignorant?
Thirty years ago I took a Sony Betamax kit to the Edinburgh Fringe and shot all the action around the Oxford Theatre Group as they set up, rehearsed then put on five productions: Titus Alone, Edward II, The Thirteen Clocks, The Oxford Review and The Hunger Artist.
The clips above are random grabs from the video. The playback quality suffers from drop out. There are several hours of rushes – putting up the stage, putting up posters around town, rehearsals in a sunlit hall for Titus Alone and the Oxford Review, and rehearsing Titus Alone outside on Arthur’s Mount. The cut ‘documentary’ features several copyright music tracks that I need to replace before the entire video can be shown, for now those featured can view by providing their email address.
For three decades the original Betamax tapes have been in a box, carefully stacked, in an attic or garage.
Nicky King, who produced Titus Alone wrote and voiced the ‘documentary’ with Matthew Faulk the editor – all achieved mixing between a Sony Betamax and VHS player.
I’m keen to put together the complete crew and cast list – I had or have programmes and posters somewhere in a large box.
The above include:
Patrick Harbinson, Nicky King, David Tushingham, Nigel Williams, Humprey Bower, Mark Ager, Rebecca Rosengard, Jack Latimer, Carrie Gracie … Stefan Bednarczyk.
Other productions I have from Oxford include: The Taming of the Shrew (OUDS) – hours of rehearsals, Abigail’s Party (Directed by Anthony Geffen) – the entire production, as well as various clips from other Oxford productions I am yet to identify.
As a child whenever I was going to be sick I dreamt of bobbins drifting through the sky like clouds, as if my head was upside down in a brightly lit drawer of the things.
I saw bobbins yesterday and my mind took me back to the 8 year old who felt unwell – it turns out that my system can’t abide certain things: too much chocolate icecream might have done it, or just a Cadbury’s Fudge Finger and a Coke.
Curious is it not how the brain first constructs such an image and then tags it?
FIG.1. Projected onto the sitting room wall
The migration between kit and now the use of multiple devices tells its own story – that and my enhanced levels of digital literacies.
And dependency on my Open University blog???
I am too used to starting there then cutting and pasting the HTML results into WordPress (here). This platform works because it is kept simple. OK, you have to get your head around a few basics (which are good for any blogging platform), but the thing is stable and robust – it hasn’t changed much in three years and it is always there.
Either I’ll wean myself off it or I’ll plugin to another module of course and be here for another decade.
You get used to a thing – especially when it works. Calls to other institutions regarding their VLE have left me cold – some still old school box of books and turn up for an all day Saturday face-to-face once a month as your only tutor and peer group contact.
From a clapped out Mac Book that died and a Psion I moved on to a borrowed PC laptop … and scrounging computer access around the home. Only recently I got a Mac Mini – for the previous 18 months I’ve been fine on an iPad with moments on my wife’s PC to view and print off DOCX.
The Mac Mini gets what ever screen my teenage son leaves me with – he tends to snaffle away any new screen I get, just swaps them over. I may take me days to realise something is afoot.
And then there is the above – projected onto a wall with me working on a wifi keyboard and touchpad. It changes things. Next to this screen there is a large whiteboard. I get up and doodle.
As for the sitting room? Long gone.
Cries for a TV to bring the family together fall on deaf ears. Why would any of us gather to watch ONE version of an event when we can each take or leave our news, or films, or anything else as we please on a bigger or smaller screen in various other rooms and cubby-holes around the house?
An iPad mini will replicate when I had a decade ago with a Psion, something handheld, light and discrete that I can tap on whenever I wish and wherever I am.
‘The Private Life of the Brain’ Susan Greenfield is my current highly recommended read. It is certain to take you off on a tangent from whatever you are studying, but if offers a layperson’s view of the inner workings of the brain.
It has been refreshing not to blog for a month. It is easier to reflect.
Had it become compulsive? A necessity to post whether I had something to say or note?
Now qualified with a Master of Arts in Open and Distance Education am I inclined to be more circumspect and scholarly?
Is this ‘jazz writing’ as I call it resistance to or an alternative to ‘proper’ writing, whether academic or storytelling.
I miss what I have missed and the need to catch up. I have been busy with a trip to walk in and out of the old line along the Western Front at Ypres. I have read copiously and widely on psychology, neuroscience, e-learning and history. I have seen a movie a day.
On reflection I am better off WITH rather than without the regular habit of capturing thoughts and ideas as they are experienced. I gain from the e-portfolio, the aide memoire, if nothing else.
Stumbling upon the work of Baroness Susan Greenfield, for example, prompted by a radio talk has had me reading her take on neuroscience.
When I think if learning, I think of the minuscule intricacies of the component parts of the brain and at the same time the immense vastness of the known universe.
As humans we are eager to understand everything.
It seems appropriate to marry neuroscience with astrophysics, like brackets that enclose everything. From a learning point of view then ask as you look at a person or group of people, ‘what is going on?’ specifically, ‘what is going on in there? (the brains) and between them to foster insight, understanding, innovation and advancement.
The best interface for this, a confluence for it all, is the Internet and the connectedness of it all.
What has the impact of the Internet been and based on everything we currently know, where do we presume it is going?