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A teaching team of two (at least) is what teaching requires in 2020. Digital changes everything, whether online or off, as soon as it goes on a screen it has to compete for the ‘attention of eyeballs’. Not only that, it isn’t a cliché that ‘two heads are better than one’. Advertisers know that it takes a write and an art director to create a compelling idea. For something compelling to work online it need the write, visualiser and coder. A team of three might be asking for too much, but the point remains.
How many people does it take to create a module of online learning at the Open University? The figure is more than one. Why therefore are teachers and tutors expected to do everything themselves?
Fig. 1. Poster commemorating the bombing of Hiroshima for Japan, 1985. Ivan Chermayeff, de la warr pavilion, Bexhill.
Trip FIVE to this exhibition, this time with my brother-in-law, is imminent. What I adore about exhibitions here is that they are ‘bitesize’ and smart; they are a perfect ‘mind burst’. They are the ideal repeat show too as with each visit you see more, and see differently … and are influenced of course by the person you are with.
The right image says what each viewer sees in it.
This idea naturally translates into any and every conflict we see today: MH17, fractured and not yet stuck together, the Middle East utterly smashed into dust – I have this visual in my head of Hanukkah Lamp, the smoke from which forms a fractured map of Israel and Palestine.
|From E-Learning IV|
From a learning point of view to start with a poster such as this is to follow Robert Gagne theory of learning design; also the natural skill of storytellers and good communications: get their attention.
Fig.1. United Kingdom and Ireland
Prompted by nieces and my sister I have now joined the Facebook ‘Positivity’ challenge.
You post three positive things a day for five days then nominate three others to do the same. I have written 15 ‘Positivities’ already and will adjust and prioritize each day. My wife, Great Britain and learning something everyday (with a plug for the Open University) got a mention today. When I was eleven or twelve I pencilled in all the counties of England, Scotland and Wales where I had visited – parents divorced and living in Cumbria and Northumberland got that one started, with cousins in County Durham and North Yorkshire, and then trips to Scotland and Lincolnshire, London and Oxfordshire. The rule was I had to spend a night in the county. Before I’d taken a look at the above map (and not taking into consideration boundary changes) I guessed that bar a few counties I had stayed in all: largely as work producing training and information videos has had me on overnights all over the shop (nuclear power industry, manufactures, retailers, Post Office, pharmaceuticals …), and Northern Ireland courtesy of a girlfriend of 18 months. Looking again I think I could add that I’ve never stayed in Essex, nor many of the Welsh Counties (or valleys), a couple still in Northern Ireland and probably a couple in North Eastern Scotland even if I have driven through. I started the same kind of thing on the 98 departements of France and guess that I’ve ‘done’ a good fifty, once again, thanks as much to TV work repeatedly travelling to far-flung, non-touristy destinations for a TV news agency I worked for. I miss travelling.
A few years ago I took up the challenge of posting a photo a day in Blipfoto; I took this one step further and determined, with the need for some criteria for editing a day’s pictures, to posting something ‘to feel good about’ – this task is similar, though potentially more abstract if the idea, rather than the image comes first.
Fig.1. From the paper LISTEN: augmented audio-augmented museum guide (c) Andreas Zimmermann, Andreas Lorenz (2008)
This is a paper presentation at a conference of a museum visitor guide system that uses a combination of tracking/observation and audio-artifacts to create a personalized visitor experience. The paper reveals the extent of trials, tests and adjusts as well as evaluation which in turn offer ways that a proposal might be in the form of a presentation of the platform or a workshop that might assess how visitors are profile at the start of their visit.
Fig.2 One of the many multimedia moments at the ‘In Flanders Fields’ museum, Ypres. C. 2013 In Flanders Fields
I had in mind some kind of open, mobile personalized learning for use by visitors to military museums, perhaps national trust properties and even battlefields.
Each of these offer very differ user experiences and expectations though. A literary research reveals that the planning for visitors to an exhibition, collection of curated events or gallery is complex and the history of using technology to support visitor experiences is lengthy.
The research for conference papers is approached from two directions: the standard approach through the OU online library using terms such as ‘museum’ ‘elearning’ and ‘augmented’, while also drawing on personal knowledge of the many digital agencies based on the South Coast (profiles of these companies are available from the regional hi-tech association ‘Wired Sussex’).
Cogapp have been producing digital content for museums since the mid 1980s.
These and other agencies often present ‘papers’ at conferences, though the quality, in academic terms, of these presentations is sometimes questionable – is it promotion or is this the presentation of valid research?
Fig. 3 On Alcatraz. Following my audio guide, but too enthralled to be on site amongst a hubbub of people.
I can also draw upon a personal interest in museums, galleries, and other visitor attractions from national trust properties to battlefields all, or some of which, come with some kind of ‘guide’ – traditionally as a leaflet or guide book (Picasso Museum, Jean Miro), often with an audio guide (Alcatraz, Muir Woods, Royal Academy: Van Gogh, Bronzes), though increasingly from online resources with some attempts to use modern mobile devices (Design Museum, Tate Modern) or to personalize the experience (In Flanders Fields, Ypres). (Great North Museum)
There are major, global conferences on e-learning, some with an orientation towards, or significant presence from the museum sector. Over the last decade there has been considerable interest in improving, through personalization, the visitor experience.
The attraction of this paper, although it is limited to an audio platform whereas I had in mind something visual, the narrative from conception to testing, delivery and evaluation is thorough. It is insightful on studies of the museum visitor experience, curator relationships with artifacts, use and potential of audio and tracking/observation technology – both hardware and software (Zimmermann and Lorenz, 2008:391)
motion-tracked wireless headphones
individualized and location-aware soundscape
as well as content preparation and feedback on an iterative process.
These approaches will become increasingly sophisticated, discrete and effective for different visitor ‘types’, even reflecting how a person’s behaviour may change during the course of a visit. It is insightful to discover the degree of sophistication for understanding perception types (Zimmermann and Lorenz, 2008:391)
And visitor types:
A definition of personalized (Zimmerman and Lorenz, 2008:394)
Layers of information
Increasing levels of involvement
Pedagogical (Zimmermann and Lorenz, 2008:400)
considering the social context
McCarthy and McCarthy 2005 distinguish four types of learners:
Gardner 1993 identifies seven:
Veron and Levasseur 1983 determined visiting styles based on observations of animals (Zimmermann and Lorenz, 2008:404):
ants (following the curator’s path)
fish (holistic point of view)
butterfly (interest in all exhibits without following the curator’s path)
grasshopper (interest only in specific exhibits)
leading to the Macke Laboratory outputs of:
sauntering: the visitor is slowly walking around with an excursive gaze.
goal-drive: the visitor displays a direct movement with the gaze directed towards a specific artwork.
standing, focussed: the visitor is standing with the gaze directed towards a specific artwork
standing, unfocused: the visitor is standing or sitting with an excursive gaze
(Zimmermann and Lorenz, 2008:409):
- fact-orientated – putting a high eight on spoken text
- emotional – prioritizing music pieces and sound effects
- overview – focusing mainly in short sound entities
Arnone, M, Small, R, Chauncey, S, & McKenna, H 2011, ‘Curiosity, interest and engagement in technology-pervasive learning environments: a new research agenda’, Educational Technology Research & Development, 59, 2, pp. 181-198, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Boehner, K, Gay, G, & Larkin, C 2005, ‘Drawing evaluation into design for mobile computing: a case study of the Renwick Gallery’s Hand Held Education Project’, International Journal On Digital Libraries, 5, 3, pp. 219-230, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Bohnert, F, Zukerman, I, Berkovsky, S, Baldwin, T, & Sonenberg, L 2008, ‘Using interest and transition models to predict visitor locations in museums’, AI Communications, 21, 2/3, pp. 195-202, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Brugnoli, M, Morabito, F, Bo, G, & Murelli, E 2006, ”Augmented itineraries’: Mobile services differentiating what museum has to offer’, Psychology Journal, 4, 3, pp. 311-335, PsycINFO, EBSCOhost, viewed 5 November 2013.
Cocciolo, A, & Rabina, D 2013, ‘Does place affect user engagement and understanding?Mobile learner perceptions on the streets of New York’, Journal Of Documentation, 69, 1, pp. 98-120, Library, Information Science & Technology Abstracts, EBSCOhost, viewed 5 November 2013.
Edwards, C 2013, ‘BETTER THAN REALITY?’, Engineering & Technology (17509637), 8, 4, pp. 28-31, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Forsyth E. AR U FEELING APPY? AUGMENTED REALITY, APPS AND MOBILE ACCESS TO LOCAL STUDIES INFORMATION. Aplis [serial online]. September 2011;24(3):125-132. Available from: Academic Search Complete, Ipswich, MA. Accessed November 5, 2013.
Gaved, M, Collins, T, Mulholland, P, Kerawalla, L, Jones, A, Scanlon, E, Littleton, K, Blake, C, Petrou, M, Clough, G, & Twiner, A 2010, ‘Using netbooks to support mobile learners’ investigations across activities and places’, Open Learning, 25, 3, pp. 187-200, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Jarrier, E, & Bourgeon-Renault, D 2012, ‘Impact of Mediation Devices on the Museum Visit Experience and on Visitors’ Behavioural Intentions’, International Journal Of Arts Management, 15, 1, pp. 18-29, Business Source Complete, EBSCOhost, viewed 5 November 2013.
Marchetti, E, & Valente, A 2012, ‘Diachronic Perspective and Interaction: New Directions for Innovation in Historical Museums’, International Journal Of Technology, Knowledge & Society, 8, 6, pp. 131-143, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Mengmeng, L, Hiroaki, O, Bin, H, Noriko, U, & Kousuke, M 2013, ‘Context-aware and Personalization Method in Ubiquitous Learning Log System’, Journal Of Educational Technology & Society, 16, 3, pp. 362-373, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
McAndrew, P, Taylor, J, & Clow, D 2010, ‘Facing the challenge in evaluating technology use in mobile environments’, Open Learning, 25, 3, pp. 233-249, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Semper, R, & Spasojevic, M 2002, ‘The Electronic Guidebook: Using Portable Devices and a Wireless Web-Based Network to Extend the Museum Experience’, ERIC, EBSCOhost, viewed 5 November 2013.
STOICA, A, & AVOURIS, N 2010, ‘AN ARCHITECTURE TO SUPPORT PERSONALIZED INTERACTION ACROSS MULTIPLE DIGITALLY AUGMENTED SPACES’, International Journal On Artificial Intelligence Tools, 19, 2, pp. 137-158, Academic Search Complete, EBSCOhost, viewed 5 November 2013.
Zaharias P, Michael D, Chrysanthou Y. Learning through Multi-touch Interfaces in Museum Exhibits: An Empirical Investigation. Journal Of Educational Technology & Society [serial online]. July 2013;16(3):374-384. Available from: Academic Search Complete, Ipswich, MA. Accessed November 5, 2013.
Zimmermann, A, & Lorenz, A 2008, ‘LISTEN: a user-adaptive audio-augmented museum guide’, User Modeling & User-Adapted Interaction, 18, 5, pp. 389-416, Business Source Complete, EBSCOhost, viewed 5 November 2013.
Recommended: MIT’s sixth sense device. Do you know about it? Here’s a link to it: https://www.youtube.com/watch?v=ig2RSID-kn8&feature=youtube_gdata_player
Fig.1. Rescue having failed a 4 tonne whale is dragged from Stinson Beach.
As a student on Oxford Brookes University’s online course ‘First Steps into Teaching and Learning 2014’ here in week 4 we have been challenged to consider an experience from teaching or being taught and in a five minute presentation reflect on this.
My interest is teaching postgraduates and/or ‘in the workplace’.
I should be feeling I’ve stumbled into the right time and place with this one having just given a ten minute presentation online as part of the Open University Masters in Open and Distance Education module H818: The Networked Practitioner, however with that one, despite every expectation to exploit my love of and experience with linear and interactive media I resorted to a Powerpoint. I needed to improve the script up to the line and this offered the flexibility I could not have had with a Prezi or video. There were too many cumbersome technical barriers and trips that I wasn’t happy to pursue or risk.
What I’m doing here is thinking through a presentation I need to prepare. Sharing this, if and where feedback can be garnered, then informs the decisions I take.
My immediate idea, often my best, is to do a selfie-video talking to camera while hurtling around a roller-coaster at Thorp Park. It would sum up the terror, thrill, highs and lows of taking a day long workshop with a class of some 40 year 9s (12/13 year olds) in a secondary school that had/has a checkered history.
The second idea, to change the setting radically, would be a workshop with nine on creative problem solving – the objective was to come up with answers to a messy problem, though the motivation to be present for most was to experience a variety of creative problem solving activities that I had lined up. This nine in an organisation, included MBAs, prospective MBAs, a senior lecture, junior and senior managers and officers: colleagues and invited guests from different departments. This example is probably the most appropriate.
A third might be something I attended as a student – apt because doing this in 2009/2010 in part stimulated me to take an interest in learning: I wanted to know what was going wrong. Here we had prospective club swimming coaches doing everything that was unnatural to them – working from a hefty tome of paper, sitting through a lecture/seminar and expecting assessment to be achieved by filling in the blanks on course sheet handouts. This from people with few exceptions who left school with few or no qualifications – often troubled by Dyslexia. They were swimming coaches to dodge this very kind of experience. It was, you could tell, hell for some. The misalignment could not have been greater. Here the immediate visual image, apt given the subject matter, would be to watch a fish out of water drown – or nearly drown and be rescued. What really grated for me in this course was the rubbish that was taught – too many gross simplifications and spurious science.
Based on the above I should challenge myself to do the video as I need to crack loading and editing. The fish out of water, whale actually, I can illustrate from photographs and the experience this summer of being present as a 4 tonne whale beached and drowned on Stinson Beach, California (See Fig.1. above).
I have done and do all three. Are coaching and mentoring subsets of teaching? Yes, though I don’t have to have been the teacher to do either. Another person can be the teacher and that teaching could surely have been done through a book, video or game? After several months doing a Rosettastone language App where or who is my teacher? Perhaps my wife is my mentor and buying in time with a person will add coaching to the mix.
I wonder if to be taught is akin to taking a train or bus ride, while self-directed learning is like riding a bike? That learning like this is like driving a car where through choice the passengers are either fellow learners and the tutor/educator?
Timing would be a key consideration for me – which would relate to pace, variety, purpose and spreading myself around the ‘class’. I will be in a studio like ‘class’ this afternoon for three hours. The groundwork has been done by others, in this context I am a catalyst and sounding board. The teaching will have been done, I don’t know the students well enough to mentor them so it as ‘coach’ or ‘consultant’ that in small groups they will have me for 10-15 minutes each. I have learnt to set a timer on this, not just setting a stopwatch on an iPhone anymore, but going in with a large egg timer – A bit theatrical but it keeps everyone’s attention. Reflecting on ideas about ‘the lecture’ what the above means to me is exploiting the live nature of it – I even consciously dress for the part.
Increasingly I am coming to cherish the values of teaching live and in the flesh for me ‘the teacher’ and for the students. All the more reason to milk these up close moments and cherish them for what they are compared to being disembodied and at a distance online.
A neurobiologist would argue that all manifestations of human inventiveness stem from our ability to think in metaphors and therefore to be able to see beyond our current reality. The authors and thinkers who have imagined and tried to create a library of everything, an index of everything, a microfiche or computer of evrything are many: H G Wells and Douglas Adam, Vanevar Bush, Thomas Bodley …. Regarding the issue of the origins or history of the Web’s inception it is a complex and massive human story, indeed, like the roots of a growing tree as a mirror to what is going on above the ground, it has the potential to fill many volumes and to occupy many minds. Perspective is everything – education, culture, personal experience, personality and academic discipline – each would offer a different perspective. Pressing on with a biological metaphor perhaps like the origins of life on earth we can nonetheless start from a specific moment – the equivalent of those first cells that began to split and evolve?