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From Lewes, East Sussex |
The River Ouse at Southease, The South Downs Way
Walking and taking photos yesterday afternoon after a morning writing – for me that was 4.30 am to 11.30am I resolved a character/plot issue in a novel I am challenging myself to complete in first draft in a month. This is part of an online ‘Write a Novel in a Month’ thing that has been running since 2002: recommended. It has all the joy and connectivity of learning in a supported environment that you could want.
This is an OU course too. A lot is said about keeping a notebook. I have ‘issues’ with this.
During this walk I decided that I had to make the protagonist’s only friend his nemesis and enemy. I also figured out a story that has been on my mind for 25 years about a 9-year-old girl buried in a school garden … however, there was something else knew that I thought I’d remember but had forgotten by the time I got to the car I could have tapped a cryptic message on the phone’s notepad, phoned home and left a message on the answer-phone, recorded a note on the iPhone, or scribbled a note had I pen and paper … the issue I have is that when you develop a habit of jotting down ideas it can bring your life to a grinding halt: you stop to take notes, pull over in a lay-by to write something down, let something burn in the kitchen, don’t answer the phone, wake up in the middle of the night repeatedly … this happened to me. I could not sleep for long without having an idea about something. And then I ended up managing that database, and having more ideas in a crushing spiral of brain pain no gain self-defeating, bean-counting, self-analysis, deconstructive, non-creative nonsense. Be warned
The answer is to work as a tree surgeon. My solution is to fill a reasonable part of my life, paid and as a volunteer, teaching and coaching swimming to kids, adults and disabled people. That keeps my head, hands, feet and soul gainfully occupied.
Learning can be an obsession; look at me. I know that learning with The OU fills such an important space in my life that even when the money has run out I want to keep doing more
Without tagging this is your blog
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From E-Learning V |
Fig.1. The contents of your learning journal, or e-portfolio or blog could look like this
As I’m prompted to do so, or is this just a MAC thing? I now tag documents downloaded to my desktop. They can be found wherever I or the operating system has buried them.
I tag religiously here (except, since a month ago, when writing from my iPad as it crashes the page and the iPad ?!).
I tag for a number of reasons:
I jot down ideas and thoughts, facts, even grab, cut and paste stuff that may be of use later so tag it so that I can tickle it out later as the mood or need fancies.
By tagging by module, and by activity you can then regularly go back and add a further tag as you plan a TMA (tutor marked assignment) or EMA (end of module assignment). For example, L120 is my current module. I will (or should) add L120A1 perhaps or L120S1 to identify an activity or session (NOT necessarily shared at all if I am giving away answers potentially or breaching copyright too blatantly by privately ‘curating’ content). Potentially L120TMA1 obviously helps me pull out content pertinent to this. That’s the idea anyhow. The OU used to have an e-portfolio called MyStuff, a bit clunky, but it did this and then allowed you to re-shuffled the deck as it were, to give order to the things you picked. In theory you then have a running order for an assignment.
Tag clouds, number of tags or simply the weight and size of the font, indicates the strength and frequency of certain themes and ideas. When playing with the idea of an ‘A-to-Z of e-learning’ it was easier for me to see, under each letter, what I ought to select … and then immediately have a load of examples, some academic, some anecdotal, all personal to me, at hand.
I come here to find things I’ve lost! Amongst 20,000 saved images I know I have a set from early training as a Games Volunteer for the London Olympics. I searched here, clicked on the image and thus found the album in Picasa Web (now Google Pics). Why can’t I do that in my picture/photo pages? Because I never tagged the stuff. There is no reliable search based on a visual – yet.
No one can or should do this for you.
My blog and e-portfolio is fundamentally and absolutely of greatest value to me alone. So why allow or encourage others to rummage in the cupboards of my brain? Because it tickles and stimulates me to share views, find common or opposing views and to believe that others are getting something from it.
The connectedness of ideas by learning online – towards a new theory of learning
From E-Learning V |
Fig.1. This IMHO is what learning has become in the 21st century – and how it got there
There’s more going on here than you may realise!
From E-Learning V |
Fig.2. Traditional top down learning
Two triangles, one above the other and linked with a down arrow suggests traditional top down learning … or simply knowledge transfer from someone who knows something to someone who does not.
From E-Learning V |
Fig. 3 By someone’s side
Two triangles, one facing the other, may represent a shift towards collaborative or horizontal learning in a formal setting, though for me it represents the learning you do away from the institution – with friends, with family ‘on the same level’ as it were.
From E-Learning V |
Fig. 4. Participatory and situated, networked learning on the periphery
From E-Learning V |
Fig.5 The thinking starts with Vygotsky and his research into behaviorist learning
It then progressed to the study and analysis of learning in communities
From E-Learning V |
Fig. 6. Activity Theory as conceived of and developed by Yrjo Engeström.
From E-Learning V |
Fig.7 The interplay between two entities or communities coming together to solve a problem and thus producing something unique to them both (object 3) – a fresh idea.
From E-Learning V |
Fig.8. Activity Theory re-connected – breaking out
Though developed over some thirty years the structure of ‘Activity Theory’ as a model is breaking down because of the quality, speed and way in which we now connect overrides barriers and invades silos making communication more direct and immediate.
From E-Learning V |
Fig. 9 Activity Theory in a connected world
Everyone and everything is just a click away.
From E-Learning V |
Fig.10 Visualizing the maelström of original ideas generated by people sharing their thoughts and ideas as they form
The maelström of new ideas where people and groups collide and interact. Historically this had been in grounded ‘communities of practice’, whether a London coffee shop or the senior common room of a prestigious university, the lab, the studio, the rehearsal room … today some gatherings online are frequent, enabled by the Internet and no less vibrant as like-minds and joiners contribute to the generation of new ideas.
This, drawing on Engestrom via Vygotsky, might be a more academic expression of Open Learning. Here a host of systems, expressed in model form, interpose their drive to achieve certain objectives into the common whole. That mess in the middle is the creation of the collective powers and inputs of individuals, groups, departments or institutions. The Open bit are the connections between any node in one system, and any other node from any other one of the systems … which blows apart the actions within a single system, making them more open, though not random.
From E-Learning V |
Fig. 11 It’s going on inside your head.
fMRI scans reveal the complex way in which ideas form and memories are recalled and mixed-up, challenged and re-imagined. We are our very own ‘community of practice’ of conflicting and shared viewpoints.
From E-Learning V |
Fig.11. Perceiving brain activity as the interplay between distinct, interacting zones
From E-Learning V |
Fig. 12 Ideas enter your system, your brain and are given a fresh spin
From E-Learning V |
Fig.13 Ideas coalesce until you reach a point of understanding. The penny doesn’t so much as ‘drop’ as to form.
Where would we be without one of these. 98 billion neurons. A uniquely connected mass of opportunity and potential. This is where, of course, memories are formed and thoughts had. Increasingly we are able to share ideas and thoughts as we have them, typically through the tips of our fingers by sharing our thinking online, especially where it comes to the attention of like-minds, and troubled-minds – anyone in fact or strongly agrees or strongly disagrees enough to contribute by adding their thinking and revealing their presence.
What is learning?
From E-Learning V |
Fig.1. Learning that is connected, socialised and shared
Does learning happen within the head of an individual, or is it mediated, situated and distributed?
Learning as an artefact is the potential informed or insightful response in an individual’s brain. Learning as a process includes the mechanisms of the brain and everything that person perceives around them – which must indirectly include everything they’ve laid down in their memory and how the subconscious responds to any of it.
What does a test or exam measure?
A test or exam can only be judged by how it is constructed and where and how it fits into a period of study – is the test part of the learning process or an assessment? Are the questions open or closed? Are their significant time constraints or not? So they should test what they were designed to test.
How to take notes for effective studying and assessment
Fig.1. The muddy sides of the River Ouse, Piddinghoe. At low tide.
We are very good at forgetting: it’s vital.
We see, feel, sense far too much in our daily lives (which includes when asleep). Come to think of it what on earth was I doing on a student exchange to North America last night where I am twenty years older than my hosts … (probably sums up how I feel about the workplace).
See. Some memories are made for us, or by us whether or not we want them.
Learning though requires us to gather, create and retain stuff. Some of this stuff is forgettable; it doesn’t resonate, or is poorly taught or expressed. Or we simply don’t get it the way it is expressed, or the first time around.
Make it a memory
At an OU Residential School the session on revision was packed. The tips made us laugh: sucking a choice of Polo Fruit sweets by subject theme – when you come to the exam repeat and each sweet will link you to that period of revision. Odd. But it worked often enough for me to convince me of its value.
Fig.4. Ebbinghaus and his ‘Forgetting Curve’
The science from the likes of Hermann Ebbinghaus and his ‘Forgetting Curve’ simply indicates how something fades, unless you go back to it a few times over several days over which period you make it stick. It doesn’t say anything about the ‘stickiness’ of the memory in the first place. Sometimes this stickiness is made for you. There is drama, there is an explosion. Most likely, by chance, the learning is anchored by some unrelated event like the fire alarm going off – that won’t work for 50 different things though.
Fig. 5 Multiple ways of making ‘it’ stick: read (book and e-book), highlight, tag and take notes.
If the module, or your tutor isn’t doing it for you then the next step is to dig around for a book, video or image that does it for you.
Most likely, and of far greater value, is for you to turn that lesson into a memory of your own creation. There is always value in taking notes, so never listen to the presenter who says ‘no need to take notes I’ll give you the slides afterwards’. Never trust the quality of the slides. What the person said will be of more value then the slides. You, and your handwriting, and your doodles are how it starts to become a memory. Then when you write up or rewrite those notes you do it again. You make it into something.
Fig.6 The River Ouse at low tide.
I’m fixating on the horror of drowning in a shell-hole in the First World War.
Ever since I was a boy those images of cowboys and Arabian princes sinking into quicksand has horrified me. What must it have been like? Walking the dog by the River Ouse at low tide just as it turned the gurgling of water backing up and filtering into the muddy bank gave me the shivers. That sound was ominous. It made a memory of the walk and the thought. It’s also what is sustaining me as I work at a short story.
Fig. 7 A family memory of a wedding in California. Will it stick?
We’ve talked about ‘memory making’ in the family.
It is the event, and the sharing of the event. My late mother-in-law was horrified that her daughter couldn’t remember a road-trip they did across the US when she was 13. I concluded that she hadn’t remembered much, or couldn’t remember much when it was mentioned out of the blue, as the trip was never shared. Conversations are and were always about current and future events. This is why it helps to get the old photo albums out from time to time. But there’s a loss. Do we make them anymore? Visiting a mislabelled album online is never the same.
Fig. 8. My late grandfather John Arthur Wilson MM with the author Lyn Macdonald at the spot north of Poelcappelle, Belgium where he buried two of his mates – 75 years after the event. He recalled it ‘like yesterday’.
Recalling the First World War
Some veterans would talk, others remained silent. Those who did not want to remember could and did forget. My late grandfather was a talker; it drove my mother mad. I came to love his recollections. Clearly, there were events that would have burned themselves into the memories of these men, but unless they talked about it, in a veteran’s association or with family and friends it was not going to stick. No wonder veterans would seek each other out over the decades. Nudged by histories and movies their memories could be changed though; sometimes they came to say what was expected of them ‘the rats were huge, the generals useless, the German bunkers impenetrable, the mud up to your waist, the sound of the individual shells … ‘
In conclusion
Whatever activities and devices are built into your module, you are responsible and can only be responsible for making something of it. Take the hint. Engagement takes time so make the time for it. These days it is made easier through the Internet. You can keep a blog to share or as a learning journal; you can talk it over with fellow students either asynchronously in a forum (or blog), or synchronously in a webinar. You can ‘mash it up’ with images, grabs, doodles and annotations. You can make it your own. It’ll stick if you want it to but superglue requires effort. Someone else ‘sticks it’ for you and it won’t happen.
We are what the chemical processes in our brains say we are
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From E-Learning V |
Increasingly, and coming from different angles, the science is showing by how much who we are is dictated by the chemistry going on in our heads. Actually, we are our chemistry; that’s how the brain works, but what I mean is that perhaps far more of this is determined by a combination of genetics – or chemical responsiveness, and what we eat – the chemicals we put into the system (just think what coffee, alcohol and drugs do to the brain, what we think, remember and how we behave), our behaviour (the chemical released say at moments of stress or excitement) and illness – so another environment factor.
I’d looked up dopamine. The wikipedia entry is so detailed it reads like an academic paper written by a committee of post-doctorate students. Fascinating.
All kinds of drugs mess or play or ‘fix’ such chemical reactions alter behaviour; as these become increasingly ore sophisticated the opportunity to intervene becomes greater. Then what?
I’ve just woken from two movie like dreams: stories with a beginning, a middle and an end. There was no message and I’ve already forgotten every detail. I could have made an effort to hook back into the last dream but chose not to. I have yet another mission: 2500 words, a synopsis and a scene breakdown for a novel. At the end of September I’m away for a week on a Writer’s Retreat. I’d love to be on the OU Creative Writing Course but that’ll have to wait another year, by which time I may have saved up the course fees, or had a hint of getting published (doubtful), or of course, neither. On this front I’m doing the OU Creative Writing Massive Open Online Course (MOOC) with Future Learn that starts in October. See you there?
Pixabay – images for posts and attribution rights
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From E-Learning V |
I clicked on this to find an image of a brain for my last post. Many of the images in Pixabay are from commercial operations such as Shuttershock ; their images have a great big digital watermark across them and a request to pay a large subscription fee. On the other hand, I did find the image of neurons below that does the job and has the Creative Commons Non-Attribution Distribution rights – i.e. use as you please without the need to link to or attribute the image. No fus, no future problem, just help yourself – I like that.
The easiest way to find the perfect image though is simply to search in Google for an item adding the word ‘images’ in the search and then click through ’til you find what gets your attention; click on the image and decide if the conditions are onerous. Depending on what you are looking for most are free with a share-alike creative commons, all you are supposed then to do is to link back to the source.
Pixabay must be an open platform: anyone can contribute images. Perhaps Pixabox are making money by having commercial stock libraries use it too? Flickr is pretty good, but the Google search would include Flickr images anyway.
I have some 2,000 images in five galleries in Google Pics, E-learning I (1000 images, H807, H800), E-learning II (385 images H808, B822), E-learning III (521 images, H810), E-learning IV (349 images, H809, H818) and E-learning V (Ouverture, once I get started). As well as module specific, even EMA specific galleries, such as H818: The Networked Practitioner. and H818: EMA (29 images, L120). Grabbed from everywhere, many CCS (share-alike) just about all related to illustrating various MAODE modules over the last four years. However, I’ve not been meticulous about identifying where the copyright always lies. It’s true, that it is irksome, just adding that extra link or creating the correct Creative Contributions copyright tag as an icon – though we ought to do that. There is a bonus for doing so as the links to and from your post and the image host generates traffic but I’d only do that for a commercial blog, which this isn’t.
The other thing to do is to draw your own images, saying using the Apps ‘Paint’ or ‘Brushes” or to take or have your own gallery of photographs to use (smart phone snaps, photos) then you will never have a copyright issue as they are yours. The other one is to screengrab images you like and then manipulate them in a App such as ‘Studio’. All of this takes time and a blog is a blog, not an article for a magazine don’t you think?
Peace in pieces
Fig. 1. Poster commemorating the bombing of Hiroshima for Japan, 1985. Ivan Chermayeff, de la warr pavilion, Bexhill.
Trip FIVE to this exhibition, this time with my brother-in-law, is imminent. What I adore about exhibitions here is that they are ‘bitesize’ and smart; they are a perfect ‘mind burst’. They are the ideal repeat show too as with each visit you see more, and see differently … and are influenced of course by the person you are with.
The right image says what each viewer sees in it.
This idea naturally translates into any and every conflict we see today: MH17, fractured and not yet stuck together, the Middle East utterly smashed into dust – I have this visual in my head of Hanukkah Lamp, the smoke from which forms a fractured map of Israel and Palestine.
From E-Learning IV |
From a learning point of view to start with a poster such as this is to follow Robert Gagne theory of learning design; also the natural skill of storytellers and good communications: get their attention.
Pen and ink drawing class at the Jerwood Gallery, Hastings
Fig.1 Chair and shade
It was like being back at school: though the ratio of 15 women to 3 men felt like I’d gate-crashed the girl school’s class down the road; I was educated in all male schools from 4 to 19. Of the 15 two were under 20, two were under 30 and the others above 60 and 70. No difference. Just like school. I recognised this swimming with Masters that given any opportunity to be the child that we were we are.
My relationship with art is an odd one: a mother who taught art, had an MA from Durham University in Fine Art, but who discounted at as a career for any of her children. I took it as far as A’levels (under her tutelage).
In 90 minutes we has some history, so thoughts on kit, then we got on with it. I found a secluded spot in the central courtyard (Jerwood Gallery, Hastings). And picked first on the climbing plants on a wall, and then the chair I’d taken out of the class. My challenge was to look at different ways of adding shade. Eventually I found that changing from pen to cotton balls and ink would differentiate between the object and the shadow. This’ll take further work.
Other learning opportunities over the last few days have included:
Power Boat II (Refresher)
It is eight or more years since I did the course and seven years since I’ve been in a power boat. A bit of it came back. And new stuff was added. I need this so that I can operate a ‘rib’ during ‘racing week’ at the local sailing club: laying the course, keeping an eye on the fleet to rescue and assist. The sea can be choppy, the winds strong. Dinghies go over and their mast can pin them to the shallow sand and grit of Seaford Bay.
How to train a pigeon
In her wisdom my daughter has rescued a pigeon with a broken wing. The RSPB and animal sanctuaries aren’t interest. ‘Ralph’ is now accommodated in a garden shed; shits everywhere but is eating from my daughter’s hand. Muggins will be looking after it shortly of course. The volume of pebble-dash shit is impressive as every shit is onto a fresh patch of shed floor – it will be one shit deep, like a carpet by the weekend.
Graphic Design
The exhibition on the designer Ivan Chermeyeff at the De La Warr is so good I’ve been back three times. There is no book on this exhibition, though many of his books are nailed to a table to admire (the page it has been opened at), with a few books you can browse. There is an insightful video too – an interview with the designer talking about how he got into fine art and graphic design from an inspiration father. One of the things he talks about is ‘learning to see’. Had photography not been banned I would not have got out a pad of paper and looked more closely at his collages. Had I not taken such a close look I wouldn’t have seen, with magical surprise, that one was made from ephemera collected at the inauguration of JFKennedy as US President on January 20 1961.
Don’t make it easy
Fig. 1 Some ideas from the Ivan Chermayeff ‘Cut and Paste’ exhibition at the De La Warr, Bexhill
As photography isn’t allowed instead of moving from the gallery with my iPhone or camera clicking at everything and anything that caught my eye I was obliged to get out a sketch pad. Just as Ivan Chermayeff says in a exhibition video ‘most people don’t know how to see’.
We risk making everything too easy with e-learning: photos, screengrabs, instant research, transcripts of video, video as audio only or highlights or summaries thanks to others.
The above ideas were for:
a) A School of Visual Arts talk he was giving with a colleague
b) Arthritis – with letters torn from a type font catalogue and jumbled around
c) Mother and Child in modern art – a signal Magritte or Matisse like cut out.
What I would have missed entirely, and I do it no justice here, is a collage of tickets and seating allocation to the inauguration of John F Kennedy on the 20th January 1961. (Before my time, I’d been conceived a few weeks before at a New Year’s Eve party. Not even I can remember that far back).
Fig.2 Sketch of an Ivan Chermayeff collage/poster using bits and pieces from attendance at the inaugurations of US President J F Kennedy