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How to use Quick Response Codes in teaching about the First World War
Leveraging mobile technologies and Web 2.0 tools to engage those with an interest in the centenary of the First World War in the stories of the people of the era using strategically placed Quick Response codes.
Open Education in an Open Landscape
Inclusion: Innovation: Implementation
An OULive presentation by Jonathan Vernon 17th February 2014 @20:45
I’d like people to add a Quick Response code to their Commemoration Poppy
Fig. 1. Mashup of a Royal British Legion Poppy with a Quick Response code that links to the story of a veteran of the First World War.
Who are them men and women whose lives are remembered on British War Memorials?
Fig. 2 First World War War Memorials in Lewes and Brigthon
The problem with war memorials is that those named on them risk becoming forgotten words on a list. By using the Web we can find out who these people were and where they lived: we can try to put a face to the name and a story to the name – and then we can share what we find online.
There are more than 54,000 war memorials in Great Britain, most of these put up after the First World War; there is barely a community without one. There are some 900,000 names. Significant interest already exists, especially as we approach the centenary of the First World War making this initiative a potentially easy one to add, to what is already taking place.
“Fast, cheap and out of control”
Brian Lamb (2010) described those technologies that ‘lend themselves to … the networked and open approach’ (Weller, 2012 KL 244) as ‘fast, cheap and out of control’. It was with this in mind, taking an interest in the centenary of the First World, that I started to think about using Quick Response codes as a personalized entry point to the Web that anyone could generate in order to share a story about someone who served in the conflict, and to do so both online and on the street.
Fig. 3 How a Quick Response code might be used on a Royal British Legion Poppy in order to personalise your commemoration.
Quick Response (QR) codes are fast – they are easy to use, they are free; however to be effective in learning there has to be a ‘ modicum of control’ – the initiative has to come from somewhere. Worn in this way, I’d like to think that you can share directly with others the person whose name you have researched and whose life you wish to remember, as well as directing people to the content online and inviting them to ‘adopt’ a name from a war memorial themselves. This is designed as a ‘blended experience’, that uses ‘face-to-face’, ‘community’ and ‘classroom’ experiences, trips to monuments … and qualities of being and going online.
Fig. 4 QR codes are a product of the car manufacturing industry
Faced with increasingly complex components, Denso, a supplier to Toyota, came up with what is a 2d barcode in the 1990s. (Denso, 2014) Made free of patent, and using free software anyone can now generate their own unique QR code; you can even print them out on standardized sticky label stationery. There are a myriad of uses for QR codes, from embedding information that is read and stored by the device to a quick link to rich content online. The interest here is to use QR codes to link to learning resources, in mobile, or ‘m-learning’ contexts in particular, and for users to both ‘read and write’ such content. I liken QR codes to using your phone as a remote control to click to a TV channel. You point a smartphone, or tablet at the QR code to read it and go instantly, pretty much, to a web page. Unlike a TV remote though, you can just as easily create and share your own content too.
The use of QR codes in education in the last decade has been limited
Refereed papers are few, but between these and other published reports, suggestions can be made regarding their strengths and weaknesses. If QR codes are to be used successfully then champions need to be identified to take up the cause. Whilst QR codes use the power of the Web to connect people to rich content, that they may create themselves, a good deal of thoughtful planning will be necessary, not just explaining how to make use of QR codes, but also working them in, where appropriate to current learning schedules where QR codes can contribute to meeting clear learning objectives.
The 2009 Horizon report identified six technologies that were expected to be significant in the following few years, of these, five relate to this proposed innovative approach to learning by wearing a personalised QR code:
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mobile devices,
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cloud computing,
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geo-positioning
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the personal web and
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smart objects.
Use of QR codes in learning has had mixed results
Simply putting a QR code in front of a museum artifact, as they’ve done at the Museum of London and did at the Design Museum does not work (Vernon, 2013) – there isn’t enough to attract or necessitate their use, not everyone has a smartphone or tablet, and the technology is often not robust. While outdoors QR codes added to signs in the South Downs National Park, (Kerry-Bedel 2011) for example, barely received a view a day during a three month trial and in some instances there was no signal anyway.
Where QR codes have been successful is in targeted learning experiences in schools (Gradel & Edson, 2012), where the affordances of the QR code have been exploited to form part of an engaging, constructive and collective learning experience.
To be effective this initiative with war memorials requires galvanizing people to take part in a joint exercise – easier with a class in school or college, less easy with the general public.
Examples where QR codes work include:
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where participants are ‘equipped’,
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where they can take an active role, such as with ‘on the spot’ surveys or quizzes,
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where they are prompted into cooperative learning
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and where timely ‘Frequently Asked Questions’ are given.
(Awano, 2007: Information Standards Committee 2008; So 2008; Robinson, 2010; Hicks & Sinkinson, 2011; Ryerson Library & Archives, 2012.)
Fig 5. A Simple Guide to Four Complex Learning Theories. Lepi (2012)
The theory behind the idea of using QR codes in a mobile and open way, is that in the digital age ‘connectivism’ is the modus operandi. In Fig. 3, an infographic produced by Edudemic (Edudemic 2012) traditional and digital theories are shown. All are relevant, each has its place, with the digital environment offering new approaches to learning.
Learning ‘in the digital age’ enables and benefits from a level and quality of interaction and connectedness that is easier to achieve on the Web. It is particularly effective where the body of learners is large, where ‘birds of a feather, flock together’ (Li & Chignells, 2010) at a hub (Efimova, 2009) and their behaviour is open and shared so that knowledge acquisition comes through the challenges and rewards of sustained interaction. (ibid)
Only a fraction of an online population are naturally inclined to generate content. Nielsen (1999) suggested that only 1% create content, 9% might comment, while the remainder are readers or viewers. Nielsen cites the Amazon book reviewer who wrote 1,275 reviews in one year. I liken these people to what advertisers call ‘champions.’ The key influencers of a cohort or group, early adopters, who innovate first and do so with conviction and passion. (Vernon, 2012).
Fig. 6. Creators, commentators and readers – how use of the Web stacks up. Vernon (2010) after Nielsen (1999)
So if we are to rely on participants to generate content the total numbers taking an interest as viewers and commentators needs to be large. Building on Nielsen, and authors who have called groups who identify with each other through connected blogs as ‘like minds’ and my own experience in advertising I devised Fig. 4 to suggest degrees of participation.
How I would see it work with War Memorials is that as well as the key creators, there would also need to be, say branch members of an organisation such as the Western Front Association, they have over 3,000 members with branches across the UK, as a body of ‘like minds’ supported to work on the content, a figure increased further by engaging local schools or colleges – especially where the work is made part of formal assessment.
A balance has to be found, I believe, between the qualities of a tool that is ‘fast’ and ‘cheap’, and where, if it is ‘out of control’ – but you want to use it, to do so by creating parameters or ‘scaffolding’.
Fig. 7. Following ‘City Walks’ near Bloomsbury Square, London.
The potential weaknesses of using QR codes include the requirement for participants to have a suitable device, say a smartphone or tablet and communication fees. QR codes may not be so easy to stick to, then read from, a standard Poppy either. Reading from and using a smartphone or tablet presents accessibility issues. Though these devices are also being used in resourceful ways to support people with disabilities, and an audio guide, say a minute per name, for a war memorial, has its appeal.
Fig. 8. A mash-up of old photographs overlaying a Google Map
In relation to creating and sharing content in an open culture, Robert Capps (2009) coined the expression ‘the good enough revolution’. This precludes being prescriptive or from expecting perfection. Whilst output on the First World War from the BBC and the Open University should understandably attain a certain professional standard, the kind of creation required of those researching names on war memorials themselves should take inspiration from this ‘good enough revolution’. Examples include ‘pinning’ names from a war memorial to a home address, sharing photographs in a Flickr gallery, ‘pinning’ World War One photographs to battlefield maps, sharing photographs on Pinterest, numerous inventive YouTube videos, shared documentaries and memoirs presented as blogs.
Fig. 9. A mash-up of War Memorial which featured a Poppy, adding a QR code and links to an interactive online activity and a blog.
What has been shown, in museums and ‘out in the field’, is that simply ‘put out there’ QR codes are ignored. This makes the idea of ‘wearing your Poppy featuring your QR code’ appealing, as each person becomes an ambassador on the ground, in the street, on site, for that nugget of information, especially so if they are also responsible for – and proud of creating the content you then link to. The opportunity exists to engage people in bringing the stories of those named on our war memorials alive and sharing this knowledge in an invigorating, dynamic and Web 2.0 way. As a result, a deeper and more meaningful connection is made with the past and our relationship to it.
REFERENCE
Awano, Y (2007). Brief pictorial description of new mobile technologies used in cultural institutions in Japan. The Journal of Museum Education, 32(1), 17-25
Capps, R (2009) ‘The GOod Enough Revolution: When Cheap and Simple is Just Fine’, Wired Magazine: 17.09. Avaialble at http://www.wired.com/gadgets/miscellaneous/magazine/17-09/ff_goodenough?currentPage=1 [accessed 18th February 2014]
Denso (2014). QR Code Standardization. Available at http://denso.com/ [accessed 18th February, 2014] also at http://www.denso.com.au/Products/Non-Automotive/Data-Capture/QR-Code
Edudemic. Traditional Learning Theories. Available at http://edudemic.com/2012/12/a-simple-guide-to-4-complex-learning-theories/ [Accessed 19th April 2014]
Efimova, L. (2009) Passion at work: blogging practices of knowledge workers. Novay PhD
Research Series 2009. Available at www.novay.nl.dissertations [Accessed 19th April 2014]
Gradel, K., & Edson, A. J. (2012). Higher ed QR code resource guide.
Hicks, A., & Sinkinson, C. (2011). Situated questions and answers: Responding to library users with QR codes. Reference & User Services Quarterly, 51(1), 60–69.
Information Standards Committee (2008) Section 3: QR code, Synthesis Journal. (From http://www.itsc.org.sg/pdf/synthesis08/Three_QR_Code.pdf )
Kerry-Bedel, A (2011) Smartphone technology – the future of heritage interpretation: Its in conservation. Avialable at http://www.kbstconsulting.co.uk/QR/images/ITIC.pdf [Accessed 14th February 2014]
Lamb, B (2010) ‘Open Contempt’. Available at http://wiki.ubc.ca/Open_Contempt [accessed 18th February 2014]
Li, J., & Chignell, M. (2010) Birds of a Feather: How personality influences blog writing and reading. Science Direct. International Journal of Human-Computer Studies 68 (2010) 589-602
Nielsen, J (1999) Web Usability
Robinson, K. (2010). Mobile phones and libraries: Experimenting with the technology. ALISS Quarterly, 5(3), 21–22
Ryerson University Library & Archives (2012). QR codes. Retrieved 6th Feb 2014, from http://www.ryerson.ca/library/qr/.
So, S. (2008). A Study on the Acceptance of Mobile Phones for Teaching and Learning with a group of Pre-service teachers in Hong Kong. Journal of Educational Technology Development and Exchange, 1(1), 81-92.
Vernon, J.F. (2012) How Blogging is going all TV. (Blog post) Available at http://mymindbursts.com/2012/01/06/how-blogging-is-going-all-tv/ [Accessed 18th February 2014]
Vernon, J.F. (2013) Mobile learning at the Museum of London: QR codes and NFCs. (Blog post) Available at http://mymindbursts.com/2013/11/10/molqr1/ [Accessed 14th February 2014]
Weller, M (2011) The Digital Scholar: How Technology is Transforming Scholarly Practice. 5% Loc 239 of 4873
City Stories: city guides for the Web 2.0 empowered
Fig.1. CityStories for mobile
City Stories are files of content, like popdcasts with text and audio, with images and video, linked to a map that spots each ‘talk’ and tracks your position.
Fig.2. Where the walking starts and ends
Reading about this online and taking a look is one thing. Going to London to walk the talk is another experience entirely. The immediate and obvious point is the context. You aren’t looking or listening to this content at a desk at home, but on the move. I get my bearings at a Patisiere Valerie in Holborn then head down the road to Queen’s Square and a hub of hospitals that have been growing up here for centuries.
Fig.3. Where’s the value in information that already exists?
There’s no longer any excuse to get lost in London? And not more call for a GPS tracker?
Fig. 4. Where am I?
I put on headphones and become another pedestrian lost to the world, though probably taking more interest in my local surroundings than most.
Fig.5. Queen Square Gardens
I start in Queen Square Gardens. I find the audio guide somewhat eclectic though. It is sponsored by the Wellcome Foundation and has a medical theme, but the narrator sweaps up random historical tidbits from far and wide – we go from the first houses and first hospital in the square, with quotes from letters or diaries and then it is mentioned that a Zeplin dropped a bomb in the square during the First World War and that people sheltered below the square in a shelter during the Second.
Fig. 6 Where a Zepllin dropped its bomb on 8th September 1915
It harmed no one, though it left its mark.
And this commenced my search for this plaque to the Zeplin bomb, which I finally located, under dust and leaves and barely legible having by now found so much more that I wanted information on that this audio guide didn’t provide. Of the 32 garden benches in the square only one does not have a dedication on it: most are to residents, some I would understand were treated in one of the several hospitals around the square, as well as memorials to former consultants, doctors and nurses. Poignantly, one to a person mudered in the London bombings.
Fig.7. One of the more poignant of some 28+ plaques commemorating those with a connection to the square – this is where ‘pinned’ augmented media can tell a story.
These are many interesting human stories here, non of which are explored.
Fig.8. Another local resident remembered
Such this memorial to a cat, as well as assorted other memorials, few of which explain themselves and none of which are mentioned in this audio tour.
It’s as if the guide was written without actually standing in the square, looking around and as a radio broadcaster would do, give some colour and background to what you can see as you turn on the spot, or follow the path around the square. To miss something out is to say something, just as it says something to put it in.
My interest and disappointment here is that I thought there would be a set of QR codes around a trial of 3 miles and at each one I’d call up the link to information that would, if I looked around me, would inform me of what I was seeing and what is going on behind the scenes. It could offer a soundscape of a different era. Memorable insights. Something to encourage me to start a journey, to want to find out more. I didn’t. I expected more on the Great Ormond Street Chidlren’s hospital but got less than I’d get from a quick Google to Wikipedia or YouTube. It did take me to Thomas Corram’s Foundling Hospital
Fig. 9. Thomas Corram’s Founding Hospital Museum
CONCLUSION
The opportunity to create highly relevant, engaging, memorable, award-winning mobile learning exists. The above was created using the open software from WordPress. The research needs to go beyond the obvious, beyond the everyday guidebook or wikipedia. You need to knock on a few doors, get some local colour, hear from people who live in the square … or lived in the square. And if you want to do a ‘drama reconstruction’ then get the investment for a proper soundscape, actor(s) and script. Leaving questions unanswered is fine – it is easier enough to research further.
Most fundamentally, who is your audience for this?
There are three kinds of people in this part of London: UCL students, patients and visitors to the many hospitals and those working in the hospitals and universities. Many will have a smartphone. IF they know what a QR code is then I’d expected to see this placed in opportune spots like miniature versions of those blue plaques you find on houses.
Fig. 9 Plaques today, engraved QR codes of NFCs tomorrow?
Isn’t Google running something with Google Maps where you can pin content, audio and video, to a GPS location?
Mobile learning at the Museum of London: QR codes and NFCs
Fig.1. YouTube video for the Museum of London‘s NFC initiative in 2011
Having picked through links that came to a dead end in a fascinating paper on the variety of technologies and tactics being used by museums in relation to mobile learning I started to see and read more and more about the use of QR codes (those matrix two-dimensional bar codes you use with a smartphone) and NFC ‘Near Field Communication‘ which is becoming an industry in its own right.
Having been kept awake at night about a need for ‘constructing knowledge’ rather than being fed it I knew that visitors, students especially, need to engage with their surroundings by somehow seeking and constructing their own views.
Without QR and NFC the simplest expression of this is taking notes, and or photographs of exhibits – not just selfies with a mummy or your mates. Possibly doing bits of video. And from these images cutting/editing and pasting a few entries in a blog, Prezi or SlideShare. QR and NFC feed the visitor controlled and curated bite-size nuggets, so more than just a snap shot, you can have audio and video files, as well as more images and text.
Fig.2. South Downs Way QR Code.
Successful trials mean that these have spread. Funny I’ve not noticed them living in Lewes and walking the dog most days on the South Downs. I’ll take a look. NFCs have been used extensively, for 90 exhibits, at the Museum of London – so a visit is required. Though I won’t be ditching my iPhone. Apple does not support NFC believing that the technology is still in its infancy … like Flash, like Betamax and VHS, and all that stuff, a battle will be fought over the NFC benchmark.
So 60% penetration of smartphones in the population … most of all of which can use a QR code, but less using a early version of NFCs. My experience?
Fig.3. QR Codes at the Design Museum
Last year a visit to the Design Museum I found the ‘Visualizing the mind’ exhibition littered with QR codes.
They didn’t work. Just as well they had ample computers. How often do organisations jump on the IT bandwagon only for a couple of wheels to fall off further down the road?
Fig.4. Evie
Meanwhile I’m off to walk the dog .. then using a trip to see Gravity at the Odeon Leicester Square with my kids to include an educational tour to the Museum of London (always handy to have a teenager around when using mobile technology).
REFERENCE
‘REPORTING RESEARCH’ 2013, Interpretation Journal, 18, 1, pp. 4-7, Academic Search Complete, EBSCOhost, viewed 10 November 2013.
QR codes and NFC
Fig.1. YouTube video for the Museum of London’s NFC initiative in 2011
Having picked through links that came to a dead end in a fascinating paper on the variety of technologies and tactics being used by museums in relation to mobile learning I started to see and read more and more about the use of QR codes (those matrix two-dimensional barcodes you use with a smartphone) and NFC ‘Near Field Communication’ which is becoming an industry in its own right.
Having been kept awake at night about a need for ‘constructing knowledge’ rather than being fed it I knew that visitors, students especially, need to engage with their surroundings by somehow seeking and constructing their own views.
Without QR and NFC the simplest expression of this is taking notes, and or photographs of exhibits – not just selfies with a mummy or your mates. Possibly doing bits of video. And from these images cutting/editing and pasting a few entries in a blog, Prezi or SlideShare. QR and NFC feed the visitor controlled and curated bite-size nugets, so more than just a snap shot, you can have audio and video files, as well as more images and text.
Fig.2. South Downs Way QR Code.
Successful trials mean that these have spread. Funny I’ve not noticed them living in Lewes and walking the dog most days on the South Downs. I’ll take a look. NFCs have been used extensively, for 90 exhibits, at the Museum of London – so a visit is required. Though I won’t be ditching my iPhone. Apple does not support NFC believing that the technology is still in its infancy … like Flash, like Betamax and VHS, and all that stuff, a battle will be fought over the NFC benchmark.
So 60% penetration of smartphones in the population … most of all of which can use a QR code, but less using a early version of NFCs. My experience?
Fig.3. QR Codes at the Deisgn Museum
Last year a visit to the Design Museum I found the ‘Visualizing the mind’ exhibition littered with QR codes.
They didn’t work. Just as well they had ample computers. How often do organisations jump on the IT bandwagon only for a couple of wheels to fall off further down the road?
Fig.4. Evie
Meanwhile I’m off to walk the dog .. then using a trip to see Gravity at the Odeon Leicester Square with my kids to include an educational tour to the Museum of London (always handy to have a teenager around when using mobile technology).
REFERENCE
‘REPORTING RESEARCH’ 2013, Interpretation Journal, 18, 1, pp. 4-7, Academic Search Complete, EBSCOhost, viewed 10 November 2013.
How can the gallery or museum visit be personalised and augmented to make first impressions last?
Fig.1. Miro – Barcelona
A lifelong love in art galleries yet I still feel unmoved (most of the time) by galleries and museums, possibly because I expect the gentle, guiding voice of my late mother at my shoulder (artist, art historian, Mum).
What could be a more personalised visit than to have someone who knows you so well point things out, guide you to things that will interest or irritate, then offer an insight – invariably linked to ‘what do you do next?’ i.e. look, learn then apply.
I take heart from the exceptions, only two visits I can think of though:
‘In Flanders Fields’ – you need a day to yourself to take this in. The most shocking moment entering a funnel like fixture, looking around then twisting your head up to see sets of photographs of mutilated combatants. It put your physically in a demanding postion to view them. Then the multi-media displays, not just actors giving accounts, but the ultimate before and after shots of places using satelitte images and old aerial photos.
‘Alcatraz’ – on many levels the visit irritated me, partly the Disneyfication and advance booking, then the many layers of the islands as bird sanctuary, prison and Native American conquest. What impressed though was the brilliant audio guide – BBC at its very best might be the way to describe it. Very carefully and sensitively juxtapositioning of interviews with former inmates, guards, and family members of guards/governor which between them created a sense or atmosphere of the place like some kind of hideous monastic retreat.
So how do we ‘recreate’ battlefields” We have the 750th of the Battle of Lewes here in East Sussex next year, as well as us all having five or more years of the run up to, the war and aftermath of 1914-1918.
The opportunity exists to use smart devices to give visitors and pilgrims an enhanced, personalised and lasting memory of these places – but how?
Mobile devices, mobile learners and Web 2.0
Fig 1. At World of Learning, 2012 – Video Arts offer video vignettes for mobile learning in the Tech Area
From materials and commentary prepared by John Pettit (2008)
Of course it is learning if it is on a mobile phone or any other device. Do we mean informal or formal learning? Vicarious learning or didactic? Stumbling across knowledge, or reading formerly to pass an exam? Does it matter? These devices blur the distinction between a means of educating that may eventually look dated and specific to an era.
Do we need campus based universities?
Kids can have their kicks in Ibiza then study online while holding down their first job.
Give the campus over to the retired and unemployed.
Do we need schools?
And if so, instead of being at the centre of a child’s education, perhaps they become as tangential as a visit to the leisure centre of supermarket because you are better linkedin to the educators and the content when you’re away from the place and all its distractions.
When do you ever not learn even if you don’t know it?
It depends entirely on what the device is being used for. Apps have shown how versatile we are at throwing activities and qualities at these devices. People want this stuff.
Is a laptop mobile? What about the old Apple Classic? I used to take it out into the garden on an extension cable and view it inside a cardboard box while sunbathing. Was that mobile? I can read in the bath on a Kindle and click through RSS feeds on the iPad while the Kettle boils. Might it simply feel as if all these people are following me around?
There are degress of mobility. Working in TV we carried around with us monitors to watch content back during a shoot. The thing was no more portable than a hod stacked with bricks.
When I read formal and informal learning I wonder if this equates to whether the learning is hard or easy. I have acquired knowledge in a formal setting and had a laugh, equally in an informal context without the self-motivation and will I have found informal learning very hard to do.
It is sometimes claimed that handheld digital devices allow students to learn at anytime, anywhere. A more nuanced position argues that the devices have the potential for ‘any time anywhere’ learning but that many other factors come into play.
For example, some devices may be easy to handle but have small screens that don’t allow easy reading.
Far from being hard to read the small screen is better suited to the narrow field of close vision that we have. So what if it is like looking through a letter box. If you want to concentrate why look at more?
A device can become too small. Too portable. As a video producer I have seen kit shrink so much that a device the size of a child’s shoe will generate a HD image and for $75 a day you could hire a camera that delivers 35mm quality. Making a film though with a device so small creates instability, you need some weight on your shoulder if you want to keep the image steady.
The portability and size of screen is less relevant than the affordances of the device, the fact that an iPad doesn’t support Flash, or Android is having problems with Google Apps, that is, if you are using learning materials that require specific functionality that isn’t working.
As for screen size, people may watch a blockbuster movie on a giant screen at the Odeon Leicester Square or on a Smartphone or palm-sized gaming device that is no bigger than a spectacle case; here what matters as with any movie, is the quality of the narrative, not the size of the screen.
Where a device’s portability comes into its own, as the person who recently made a phone call from the top of Everest, is the portability. Another extreme might be a cave diver with a device the plots the route for a cave system, or a glaciologists relaying pictures of a feature in a Greenland ice-sheet to colleagues thousands of miles away that informs the research.
‘Patterns of usage differ widely, and the fit between people’s lives and the devices they use can be very close.’ (Pettit and Kukulska-Hulme, 2007, p.28)
Is an apt way to express a new term being used in the Open University Business School to describe applied or practice-based learning that gets away from the ‘distance’ tag, that is to call it ‘nearness’ learning. (Fleck, 2011). I also like the idea of ‘intense but provisional,’ people’s attitudes are brand specific, with the Mac vs. PC split of computing now a split between Windows, Mac and Android (and others).
People chose brands to simplify the choices that have to be made between a plethora of devices, between Sony, Nokia, Goole and Windows, as well as between network suppliers, be that O2, Vodafone or others.
There is another way of looking at it though, if you come to see that all these devices offer the same sets of services and tools, from QWERTY keyboards, to a camera, from messaging to phone calls, to the hundreds of thousands of Apps, and in the case of the latest Windows phone … Windows software from Outlook to Docs, PPT to Excel.
Is size such an issue?
People have managed needlepoint for centuries and once painted miniatures. There is an appeal for the tiny sometimes, just as there is for the massive. In this respect the device becomes a reflection of the person’s personality, as well as the depth of their pockets, the availability of others services, from a signal to 3G (or not), even to the power to charge batteries.
Personal choice, celebration of variety, offering a smorgasbord rather than the continental breakfast.
‘That well-known random-access device consisting of ink on bound sheets of paper may still have plenty of life in it yet!’ (Pettit and Kukulska-Hulme, 2007, p.28) expressed in 2007 is how in 2011 writers in the e-magazine Reconstruction 6.4 describe the ‘long-tail’ of the blog, that definitions have become meaningless, suggesting that the varieties of ways to do or have what we have continued to call a ‘blog’ is as varied as the ways we have over many centuries come to use paper.
Drawing on a paper written in 2007 on research presumably undertaken a couple of years previously, it strikes me that ‘the world has moved on’, to say the least – though not enough. This exercise is looking at the extraordinary capabilities and uses for a device that in 2011 can offer somewhat more than was possible four years ago. This doesn’t mean to say we have the things.
From my own perspective I came into the MAODE (this time round) with an eight year old iBook that had trouble with some software, things as simple as PDFs and the latest versions of Flash as I was unable to upgrade the operating system. Working from a smallish screen I found myself printing off too. For the second module I had access to a better laptop and plugged it into a good-sized screen that allowed me to see a page of A4 at a time or to swivel the screen and have two windows open side by side. During the course of my third module (this one) I found myself without a particular device, but with access to a desktop, a laptop, even an iPad (and have used a Kindle to read some 16 books). Here I found myself putting everything online, into a blog and e-portfolio so I could access whatever I wanted wherever I was (or whichever device was available), as well as having the cataloguing, aggregating, sharing affordances that this has given. Any device, however mobile, and whatever size, can tap into this content.
The problem now, isn’t simply, for me at least, is the overwhelming volume of content I have put online, which despite adopting various approaches to keep track of it, has split into a number of blogs (OU, Blogger, WordPress, and Tumblr), a number of cloud galleries/warehouses in the sky (Flick, Dropbox, Kodak and Picasa Galleries, My Stuff, Pebblepad).
It is apt that I blog under the name ‘my mind bursts’, because it has, and is.
Like having a thought, or recalling some event or fact seemingly on a whim, I find I stumble across these ‘mind bursts’ quite by accident, forgetting the number of blogs, for example, that I for a period started only to abandon so that ‘serendipity’ has a role to play through the myriad of links I’ve also made. None of this has helped by finding myself with three Facebook accounts and unsure how to delete the ‘right’ one.
The attitude can only be to ride this like the web surfer of a decade ago – to run with it, rather than try and control it. You meet friends coming off a training a Liverpool Station, you do not need to know who else is on the concourse, the timetables for every train that day, week or year. To cope with the overwhelming quantity of stuff tools to filter out what matters to you at that moment is coming to matter most.
Currently I find myself repeatedly drawn to the activities of Hugo Dixon, a former Economist and FT journalist, who set up a business he called ‘Breaking Views’ to counter what he already by then perceived as a deluge of online information and the old print-based expression ‘Breaking News’; we would come to need as some pundits predicted fifteen years ago, ‘information managers’ or ‘information management systems’.
I wish I could reference the expression properly but ‘Freedom is lack of choice’ is one of my favourites; sometimes filters and parameters have their place. I enjoy using a Kindle as much for its limitations; it is something I can take to bed knowing that it’ll send me to sleep, while an iPad keeps me up all night.
REFERENCES
Fleck, J (2011) Association of MBAs Conference Video 2011
Pettit, John and Kukulska-Hulme, Agnes (2007). Going with the grain: mobile devices in practice. Australasian Journal of Educational Technology, 23(1), pp. 17–33.
E-learning and m-learning, even i-learning? Just ‘learning’ will do
If someone as high profile as Agnes Kukulska-Hulme (Professor of Learning Technology & Communication, Open University) believes the qualifying adjective ‘mobile’ or ‘m’ will soon be defunct, then surely she would support the idea of that the ‘e’ will eventually be dropped from e-learning?
Practioners and professionals, like students, must familiarise themselves with all the tools.
‘E’ is a fact of learning life, Agnes Kukulska-Hulme (2010) is quoted thus in the JISC Mobile and Wireless Technologies Review, “Mobile learning is here to stay, even if in a few years’ time it may no longer be distinguishable from ‘just learning’.”
At what point is m-learning, which is a subset of e-learning, which is a subset of learning, just learning? Or just a life of learning?
6 Types of Learning
Six different types of learning
‘Categories of Activity’
1) Behaviourist-type
2) Constructivist
3) Situated
4) Collaborative
5) Informal and lifelong
6) Support or coordination
Spontaneous communication and collaboration, e.g. one-to-one or one-to-may by texting or mobile phones, by sending a message to a forum or blog while travelling.
e.g. Childhood journeys. Taking octogenarians home through mobile devices.
REFERENCE
Naismith, L., Lonsdale, P., Vavoula, G. and Sharples, M. (2004) Literature Review in Mobile Technologies and Learning, Report 11 for Futurelab. Online. Available.
Mind Bursts 