Home » Posts tagged 'Oxford Union'
Tag Archives: Oxford Union
Oxford Television News: May 1918 On YouTube
Fig.1. Julia Brooks, one of the presenters on this edition of OTN
Oxford Television News (OTN) presented by Julia Brooks and Su Wolowacz.
Fig. 2. Su Wolowacz presenting the Trinity Term (1983) edition of Oxford Television News
Items include voting in the Council Elections, warnings about a rapist in an alley behind St.Peter’s, OUSA education system and the abolition of the admissions exam (ratio of private to state sector was worse than 70% 30%), May Day Celebrations, the importance the CV from Mr Snow then head of OUCAS, a Student Union Committee meeting, reported Stephen Howard reviewing Andrew Sullivan’s term (Trinity) as the Oxford Union President, Balliol College Music Society 1500th Concert (interviewed those who attended). Then set to music clips fro the Oxford & Cambridge Ski trip to Wengen. Clips from Abigail’s Party, directed by Anthony Geffen. The Roaring Boys. Matthew Faulk and Alex Ogilvie acting out a scene from ‘The Labours of Hercules Sproat’ and finally Jonathan Vernon doing a mime.
Fig.3. Students interviewed on the local elections.
Fig. 4. Mr Snow of Oxford University Careers Service giving advice
Fig. 5 Stephen Hellwen reviews the Oxford Union Debating Society under the presidency of Andrew Sullivan
Fig. 6 Richard Davey, First Year History Student at Balliol College and other Balliol undergraduates interviewed about the 1500th Balliol Musical Society Concert that included a performance by Yehudi Menuhin.
An OTN Production
Fig.1 SimpleMind Mindmap based on Niall Ferguson’s ‘The Pity of War’
I’ve now read ‘The Pity of War’ twice in a row. As I’ve gone through it I’ve highlighted passages and added notes
and tabs in Kindle. I also grabbed a few highlighted passages and put them into the iPad App ‘Studio’ to annotate and took slides from a
presentation on how to prepare a book review by Dr Pete Gray of the University of Birmingham and annotated these too.
On the second reading I created the SimpleMinds mindmap above.
This ought to be my starting point for a solid 1,000 word book review.
Further reading in the from of Books and papers of interest have been picked up along the way too.
Those to find in a university library, those acquired secondhand through Amazon or uploaded as eBooks in Kindle and papers I can find as a postgraduate student online, either through the Open University or the University of Birmingham (I am a postgraduate student at both). There are various ways I can offer the above, though the best is to download the FREE version of SimpleMinds and read it that way.
Offered with a view to sharing the views of others.
I can export it into a word file and develop the categories I already have as separate themes:
Insightful (in yellow) has some 52 notes, most referenced by Kindle Link (KL).
Do I buy the print version or go to the library and cross-reference?
Descriptors: meticulous, original, weighty, highly referenced, all sides, high brow, thoroughly researched, well read … often
intricate, taking us to detail researched by others? NOT, as he says in the introduction, a textbook or a narrative of the war.
No Trivia – nor the chronology if the war, nor countless aggregated memories of veterans, though there is a bit of poetry and some
mention of movies and TV films from ‘All Quiet on the Western Front’ to ‘Birdsong’, ‘Gallipoli’, ‘Blackadder goes forth’ and
‘Ghost Road’ Bias – I wonder about this in relation to where Niall Ferguson – that he relishes a dig on the landed gentry and public
school system, their types, behaviours and hobbies, from leadership to country sports.
Debunking myths: the desire for war, the Germans to blame, the Russians to blame, militarism, German economic efficiency, not donkeys, the AEF didn’t win the war and blundered in making the mistakes of 1914, naval supremacy and ambivalence to war.
The Press – censorship, Buchanan, DORA. Finance – givernments
A dilletante, too thorough, comprehensive: penny dreadfuls, invasion stories, art history and drama, from Karl Kraus to Oh What a Lovely War.
Errors or mistaken emphasis: Fashoda, conjecture that Grey et al. exaggerated the threat of Germany despite intelligence, attempting to interpret stats on fatalities, wounded and prisoners, the Entente were better at killing, maiming and taking prisoners, Tommy gets angry with a Jerry prisoner, All
Quiet on the Western Front is not biography though Ferguson quotes from it as if it is. Remarque wasn’t a front line soldier. The Oxford Union as any kind of representative body for comment. That Belgium neutrality would have been breached by GB. That skilled workers lost to the war impacted our economy when women very effectively stepped in. That the EU in its current form might have emerged has GB stayed out of it. That waving Tommies are from a photo archive when they are grabs from the Battle of Somme footage.
Kinds of historian: cultural, military, diplomatic, economic.
Why was recruitment successful? Recruitment campaign, female pressure, peer and employer pressure, impulse, economic motives, and more?
Other historians and commentators:
Alan Clarke, Lidell Hart, John Terraine, Correlli Barret, Michael Howard, Norman Stone, Lafell, Bidwell, Graham, Travers, Holmes, Martin van Creveld, Dominic Graham, JMBourne, Michael Geyer, Martin Samuels, Gudmannskn, Paddy Griffith, Theo Balderston, Knaus and Hew Strachan.
With distinct sections on:
Finance and JMKeynes Writers
With a bit on poets, and rather less on films and art.
What did he leave out then?
- The Home Front
- Technological developments, especially in the air
Fig.2. A brief response to the ten questions Ferguson poses at the start of the book and attempts to answer by the end – I’m not wholly convinced.
Fig 1. Your life? Remembered or forgotten?
Digitally record or better to delete?
It frustrates me to try to read two complementary books e in two different formats – the first is marketed in its traditional hardback edition with a designer cover and eye-grabbing introduction from Bill Gates, while the second, an eBook I find understated – as if it is ashamed to compete. They are a pair. Twins separated at birth. They argue from opposite sides of the digital coin, one in favour of digitizing everything under the sun, the other for circumspection and deletion. Perhaps there should be a face off at the Oxford Union Debating Society. My role here is to bring them together and in doing so provide a one word conclusion: selection.
‘Total Recall’ (Bell and Gemmel, 2009) with its film-reference title and sensationalist headline ‘how the e-memory revolution will change everything’ risks ostracizing a discerning academic readership in favour of sales reputation and coining a phrase or two. It’s hero Gordon Bell might be the protagonist in the movie. The is is shame is that at the heart of what is more biography than academic presentation there is the desire to be taken seriously – a second edition could fix this – there needs to be a sequel. My copy of Total Recall arrived via trans-Atlantic snail mail in hardback, with it’s zingy dust jacket – it feels like a real book. I’m no bibliophile but I wonder if the pages are uncut and this edition has been pulled from a reject pile. It was discounted Amazon and as I’m after the words contained in the book rather than the physical artifact its state ought not to be a concern. Though the fact that it is a physical book rather pegs it to a bygone era. Total recall refers to the idea of a photographic or ‘eidetic memory’ – this needs to be stated.
Fig. 2. DELETE
‘Delete’ (2009) Viktor Mayer-Schönberger is subtitled ‘The Virtue of Forgetting in the Digital Age’ and sounds as if it was authored by a vampire from Transylvania. It is a foil to ‘Total Recall’ with Viktor the antagonist to ‘Flash Drive’ Gordon. Delete hasn’t been – its in its fourth printing, needless to say I got mine in seconds as a Kindle version. I only ever by a book if I have to. I am too used to the affordances of the eBook to skim, search, highlight and share – and to have it on multiple devices, the Kindle, iPad, laptop and smartphone.
The copyright notice in Total Recall on ‘the scanning, uploading, and distribution of this book via the Internet’ is ironic because this is what Bell does with his life – he has scanned and uploaded his life (though access is totally private). A double irony as he elects for Web 1.0 but won’t join the Semantic Web 2.0 and share.
I have been an exponent of ‘exposure’ – the release of a substantial part of who you are for others to chew over.
The online diary.
The way forward stands between the two, selective extreme gathering, storing and retrieval of your personal archive, while discretely deleting the irrelevant, possibly illegal (copyright, plagiarised, libel) and otherwise potentially reputationally damaging to kith or kin. (How can these be avoided if you wear a device around your neck that takes a digital snap every few seconds?)
They could be landform and landfill.
- Infographic: Who Reads eBooks? (the-digital-reader.com)
- Enjoy Ron Shusett’s Interview with Craft Screenwriting! (lcoonline.wordpress.com)
- Tracker, scanner, detector, spy… (thehindu.com)
- Five Reasons Why You Should See Total Recall (binsidetv.net)
- Google Glass – Interactive Glasses (threekingsclub.wordpress.com)