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Fig.1 Exhibit A. Vital to any museum. A place to crash, reflect, nod off … then pick yourself up to do some more.
This is going to read like an excuse to visit yet more museums.
As I reach the end of my Open University learning journey my final task is to write an EMA in which I propose a piece of research on e-learning. My inclination, with 12 days to go, is to look at the use of mobile devices in museums and how the visit experience can be enhanced by personalising the physical journey. It appears the the two problems to deal with are information overload and cognitive overload. There is too much of everything. Whilst I will always applaud serendipity there needs to be a balance between the stuff that you want to stick and the stuff that can be ignored or discarded.
Too many museum visits earlier this week has me wishing I had electric wheels and a pair of Google Glass that could take it in and edit.
- Museum of Contemporary Art – Barcelona
- Picasso Museum – Barcelona
- National Museum of Catalonia – Barcelona
- Joan Miro Foundation – Barcelona
As I prepare this assignment I plant to queue to get into the Bowie at V&A and try Google WebLab at the Science Museum and possibly the RA and Design Museums too. At least I’m within an hour of London.
My interest is, as I take teenagers to these things, to wish I could get them to that artefact or story about the artifacts creations, or the artist/creative that it will so intrigue them that they are inspired to put some heart into their art or DT.
Two years ago my late mother took her granddaughters around the RA when the Van Gogh exhibition was on. My daughter was treated to my mother, gentle and informed, guiding her then 14 year old granddaughter from quite specific letters, paintings and sketches – pointing things out, talking about technique and the thinking behind it. This was as personalised and as intimate as it gets.
I can understand how Picasso, showing interest and talent, must have been guided by his father who taught art at undergraduate level.
Fig.1. Inspiration courtesy of a pad of cartridge paper, the Royal Academy of Arts, designers in residence at the Design Museum, Mirrielees on Story Writing and Robert Gagne‘s ‘The Conditions of Learning’. There’s a guitar by the desk and a set of 6B pencils and a putty rubber out of vision.
For moments when the Muse calls … and when she doesn’t.
The cartridge paper and guitar would be on my Desert Island.