Home » Posts tagged 'elearning'
Tag Archives: elearning
I would have written a shorter letter, but I did not have the time.
Fig. 1. Live on OULive
Don’t be fooled into thinking that when expected to deliver a five minute presentation that it will take less time to write than a ten minute presentation – it won’t.
In fact, the harder assignment would be to expect a one minute presentation.
I always thought that it was Jonathan Swift who apologised to a recipient of one of his very long letters that he hadn’t had time to write a shorter one. Did he? A Google search gives you Blaise Pascal
Je n’ai fait celle-ci plus longue que parce que je n’ai pas eu le loisir de la faire plus courte.
My Open University Years
Fig.1 Odd that, 12 years and I’ve gained hair, glasses and a tie.
In February 2001 I began an OU module on Open & Distance Learning – last year I graduated with the Masters in Open & Distance Education (MAODE). Since then I’ve taken a couple more MAODE modules to stay up to date. Impossible given that any MAODE module is out of date before it goes live?
The next direction has to be horizontally into the Open University (again), or vertically towards a PhD. Or both? Or neither.
Meanwhile, I sincerely recommend that anyone with any interest in the way education is going to follow the BBC tonight.
BBC Radio 4 8.00pm
Is it an OU co-production? These days these things usually are.
How I assembled a presentation as an exercise for the Open University Master of Arts in Open and Distance Education module H818: The Networked Practitioner
From the start of the Open University postgraduate master’s module H818: The Networked Practitioner I’ve aggregated screen grabs and photos into a dedicated album in Google+ ‘Picasa Web Gallery’. This, as a resource and aid memoir, also received copies of images from other albums, including the another two albums on elearning that contain some 3000 images from the six MAODE modules that I have done over the last four years and from other albums on the First World War and specific museum visits, including: the Museum of London, the Great North Museum, the Design Museum, the ‘In Flanders Fields’ and ‘Talbot House’ in Belgium, as well as inspiration and insights from the Picaso and Miro Museums in Barcelona and Alcatraz in the Bay of St.Francisco.
From E-Learning III |
My interest in museums is lifelong and something emanating from them or to support them had been an intended topic for my last MAODE module H809. My interest in the First World War is also lifelong, fed by my late grandfather, a veteran of that conflict who lived into his 97th year – long enough to attend various events to mark the 75th anniversaries of the Battle of Passchendaele where he served as a machine gun corporal and the formation of the Royal Air Force as he had transferred to the Royal Flying Corps at the very end of 1917. Given the approaching centenary of the 1914-18 War I took the decision to enhance and formalise my understanding of the conflict with an MA in British First World War studies at the University of Birmingham. I further justify this by valuing the insight of doing a ‘traditional’ though part-time MA that requires attendance at lectures, and a substantial amount of reading – even from books, some of these a century old and getting a taste for another institution’s online offering. Here are my mashed up notes from a lecture on reviewing a text.
First ideas were around the use of QStream, a platform with its origins in supporting junior doctors in North America to pass tough written tests of their knowledge. Simply shoehorning in an idea rather than seeing what needs exist, or problems there are, say with museum or battlefield visits isn’t to be recommended. It was necessary therefore to try out for myself some of the mobile guides, for example City Walks.
I knew from experience the year before that QR codes had been used in the Digital Crystal exhibition at the Design Museum – efforts failed here as the promised free wi-fi didn’t work. A visit to the Museum of London was more satisfactory though throughout my visit I never saw anyone use them – spoilt for a wealth of activities and options, including touch screen interactive and computer consoles alongside many tactile and engaging ways to enjoy the exhibits perhaps rendered them redundant.
Most treasured visits to museums include the Royal Academy of Arts where my mother took my daughter, then 12/13 under her wing. I was also impressed by the quality of the audio guide at Alcatraz that featured the voices of inmates and prison officers.
—-
Reading I do always includes some kind of note taking; how I achieve this using digital tools varies. A significant, if not most of my learning is done via an iPad. Experimentation and habit has me use Kindle tools to highlight, tab and add notes that I later review and grab, while with papers I typically do a number of things: cut and paste a Harvard reference into my OU Student Blog which I use as an ePortfolio, as well as saving into RefWorks, while downloading the paper to a dedicated module folder. Rather than take notes, which I may do in front of a computer or very rarely these days onto paper, I will, as here, highlight and grab then later annotate and potentially post with notes and tags into a blog.
——
My established habit is to deconstruct a task into its component parts – in this case an early step towards a ‘multi-media artefact’ using SimpleMinds, a favourite App that I have on the iPad and Mac-Mini.
This detailed mindmap was an early step in assembling a ten minute presentation I gave on OULive on Monday on the potential and pitfalls of using Quick Response codes in education. Its next iteration was as a Prezi. It was ultimately delivered as a PowerPoint consisting of eight or nine slides.
Here I took some of my grandfather’s photographs and mashed them up using the apps ‘Studio’ – a graphics/sharing app and ‘Brushes’ – the iPad ‘painting’ app favoured by David Hockney. Together these allowed me to assemble layers of photographs, text and graphics so that I could express an idea visually.
At some stage I had the idea of putting a Quick Response in a Royal British Legion Poppy – as much for the promotional grab of the image as the practicalities of doing so.
In a module titled ‘The Networked Practitioner’ that is part of the Open University’s ‘Masters of Arts in Open and Distance Education’ the prompt to use, indeed the necessity to at least try a variety of sharing platforms is inevitable. Within the ‘walled garden’ there were module, student and tutor forums, OpenStudio, and wikis, while managed exposure beyond these walls included use of Cloudworks and the Open University student blogging platform. My own extensive use of external platforms includes blogging since 1999, and has developed to include: Linkedin, Facebook, Google+, Twitter, WordPress, Flickr, YouTube, Stumbleupon, Pinterest and others. Flickr and blogging has brought me to the attention of the BBC and National Trust, as well as individuals able to support my specific interest here on the First World War: a blogger in Belgium, the grandson of a veteran, a local historian in Hastings, a post doctoral researcher at King’s College, London, an author writing on the First World War for the National Trust, the Western Front Association who have published my grandfather’s story and a researcher and subsequently the BBC to feature in a story in their ‘People and Places’ series.
——
Picking a Creative Commons copyright attribution only came after slides had been submitted to the presentation coordinator. Even once having reduced the number of slides proposed and having greatly simplified the images to be shown the need would then ideally to have added the CC as yet another layer onto these images – all the more reason to leave this task to the end once I had reduced some 32 images down to 8. Further simplification would be to restrict my use of images to my own photographs, charts and drawings. An attribution I may have circumvented is to acknowledge or link to Apps such as ‘Studio’ and ‘Brushes’ while I find it all too easy to lose track of where an image was sourced given how many screen grabs I do and photographs I take every day.
——-
Future plans would be to expand the thinking expressed in the OULive presentation to include a platform such as QStream that feeds by email spaced repetitions on a subject. I imagine a teacher, rather than the secondary school student, assembling a ‘cheat sheet’ of key facts as a revision sheet that is then offered back to them on their phone until, literally, they ‘have it in their heads’. This I base not only on the idea that managing our inclination to forget is a necessary part of formal learning but that only once you have aggregated enough ‘stuff’ on a topic in the brain can it be expected to make its contribution by enabling you to answer exam questions, but also by offering and allowing you to formulate your own ideas.
Positive and negative feedback, especially if constructive, sends a shiver through my bones.
Just ten minutes. A live online presentation. Why for me should it be such a big deal?
I said to my wife that I have not problems delivering other people’s words (acting) and I have no trouble writing words for others to speak (speech writer, script writer), but what I loathe and struggle with is delivering my own words on any kind of platform.
Big fails on this count, emotionally at least would include:
- My grandfather’s funeral
- My groom’s wedding speech (I was pants at proposing too)
- My father’s funeral
- My mother’s funeral
…
Because it matters to me far too much when, and only when, the words that I give seem to emanate from my soul.
Let me blog, let me write letters, let me smoulder from my ears into the atmosphere with no expectation of feedback.
…
Both positive and negative feedback, especially if constructive, sends a shiver through my bones. Why is it that I crave confrontation, that I want to be mentally smacked around the head, then kicked up the arse and sent back into the fray to deliver some amazing show of ability?
…
We are all so, so, so very different, yet how we are taught, or expected to learn seems so very contrived, so set by context and numerous parameters.
I would prefer to be stuck in a cabin for a couple of weeks with an educator who hasn’t a clue about the subject, but is a natural educator, than someone who has ticked a collection of boxes in order to obtain their position. The natural educator can teach anything. The subject matter expert thinks they know everything.
eLearning can be the subject matter expect – ‘IT’ (literally) thinks it knows it all.
So, connect me, and for me connect students and educators – worry only about the desire and ability to teach or transmit and mange those hungry to gain knowledge, and for students concentrate almost entirely on motivation. If they want to learn pores will open up in their skull so that you can pour in the information and they’ll never be satiated.
How to use Quick Response Codes in teaching about the First World War
Leveraging mobile technologies and Web 2.0 tools to engage those with an interest in the centenary of the First World War in the stories of the people of the era using strategically placed Quick Response codes.
Open Education in an Open Landscape
Inclusion: Innovation: Implementation
An OULive presentation by Jonathan Vernon 17th February 2014 @20:45
I’d like people to add a Quick Response code to their Commemoration Poppy
Fig. 1. Mashup of a Royal British Legion Poppy with a Quick Response code that links to the story of a veteran of the First World War.
Who are them men and women whose lives are remembered on British War Memorials?
Fig. 2 First World War War Memorials in Lewes and Brigthon
The problem with war memorials is that those named on them risk becoming forgotten words on a list. By using the Web we can find out who these people were and where they lived: we can try to put a face to the name and a story to the name – and then we can share what we find online.
There are more than 54,000 war memorials in Great Britain, most of these put up after the First World War; there is barely a community without one. There are some 900,000 names. Significant interest already exists, especially as we approach the centenary of the First World War making this initiative a potentially easy one to add, to what is already taking place.
“Fast, cheap and out of control”
Brian Lamb (2010) described those technologies that ‘lend themselves to … the networked and open approach’ (Weller, 2012 KL 244) as ‘fast, cheap and out of control’. It was with this in mind, taking an interest in the centenary of the First World, that I started to think about using Quick Response codes as a personalized entry point to the Web that anyone could generate in order to share a story about someone who served in the conflict, and to do so both online and on the street.
Fig. 3 How a Quick Response code might be used on a Royal British Legion Poppy in order to personalise your commemoration.
Quick Response (QR) codes are fast – they are easy to use, they are free; however to be effective in learning there has to be a ‘ modicum of control’ – the initiative has to come from somewhere. Worn in this way, I’d like to think that you can share directly with others the person whose name you have researched and whose life you wish to remember, as well as directing people to the content online and inviting them to ‘adopt’ a name from a war memorial themselves. This is designed as a ‘blended experience’, that uses ‘face-to-face’, ‘community’ and ‘classroom’ experiences, trips to monuments … and qualities of being and going online.
Fig. 4 QR codes are a product of the car manufacturing industry
Faced with increasingly complex components, Denso, a supplier to Toyota, came up with what is a 2d barcode in the 1990s. (Denso, 2014) Made free of patent, and using free software anyone can now generate their own unique QR code; you can even print them out on standardized sticky label stationery. There are a myriad of uses for QR codes, from embedding information that is read and stored by the device to a quick link to rich content online. The interest here is to use QR codes to link to learning resources, in mobile, or ‘m-learning’ contexts in particular, and for users to both ‘read and write’ such content. I liken QR codes to using your phone as a remote control to click to a TV channel. You point a smartphone, or tablet at the QR code to read it and go instantly, pretty much, to a web page. Unlike a TV remote though, you can just as easily create and share your own content too.
The use of QR codes in education in the last decade has been limited
Refereed papers are few, but between these and other published reports, suggestions can be made regarding their strengths and weaknesses. If QR codes are to be used successfully then champions need to be identified to take up the cause. Whilst QR codes use the power of the Web to connect people to rich content, that they may create themselves, a good deal of thoughtful planning will be necessary, not just explaining how to make use of QR codes, but also working them in, where appropriate to current learning schedules where QR codes can contribute to meeting clear learning objectives.
The 2009 Horizon report identified six technologies that were expected to be significant in the following few years, of these, five relate to this proposed innovative approach to learning by wearing a personalised QR code:
-
mobile devices,
-
cloud computing,
-
geo-positioning
-
the personal web and
-
smart objects.
Use of QR codes in learning has had mixed results
Simply putting a QR code in front of a museum artifact, as they’ve done at the Museum of London and did at the Design Museum does not work (Vernon, 2013) – there isn’t enough to attract or necessitate their use, not everyone has a smartphone or tablet, and the technology is often not robust. While outdoors QR codes added to signs in the South Downs National Park, (Kerry-Bedel 2011) for example, barely received a view a day during a three month trial and in some instances there was no signal anyway.
Where QR codes have been successful is in targeted learning experiences in schools (Gradel & Edson, 2012), where the affordances of the QR code have been exploited to form part of an engaging, constructive and collective learning experience.
To be effective this initiative with war memorials requires galvanizing people to take part in a joint exercise – easier with a class in school or college, less easy with the general public.
Examples where QR codes work include:
-
where participants are ‘equipped’,
-
where they can take an active role, such as with ‘on the spot’ surveys or quizzes,
-
where they are prompted into cooperative learning
-
and where timely ‘Frequently Asked Questions’ are given.
(Awano, 2007: Information Standards Committee 2008; So 2008; Robinson, 2010; Hicks & Sinkinson, 2011; Ryerson Library & Archives, 2012.)
K Lepi (2012) Copyright 2013 © Edudemic
Fig 5. A Simple Guide to Four Complex Learning Theories. Lepi (2012)
The theory behind the idea of using QR codes in a mobile and open way, is that in the digital age ‘connectivism’ is the modus operandi. In Fig. 3, an infographic produced by Edudemic (Edudemic 2012) traditional and digital theories are shown. All are relevant, each has its place, with the digital environment offering new approaches to learning.
Learning ‘in the digital age’ enables and benefits from a level and quality of interaction and connectedness that is easier to achieve on the Web. It is particularly effective where the body of learners is large, where ‘birds of a feather, flock together’ (Li & Chignells, 2010) at a hub (Efimova, 2009) and their behaviour is open and shared so that knowledge acquisition comes through the challenges and rewards of sustained interaction. (ibid)
Only a fraction of an online population are naturally inclined to generate content. Nielsen (1999) suggested that only 1% create content, 9% might comment, while the remainder are readers or viewers. Nielsen cites the Amazon book reviewer who wrote 1,275 reviews in one year. I liken these people to what advertisers call ‘champions.’ The key influencers of a cohort or group, early adopters, who innovate first and do so with conviction and passion. (Vernon, 2012).
Fig. 6. Creators, commentators and readers – how use of the Web stacks up. Vernon (2010) after Nielsen (1999)
So if we are to rely on participants to generate content the total numbers taking an interest as viewers and commentators needs to be large. Building on Nielsen, and authors who have called groups who identify with each other through connected blogs as ‘like minds’ and my own experience in advertising I devised Fig. 4 to suggest degrees of participation.
How I would see it work with War Memorials is that as well as the key creators, there would also need to be, say branch members of an organisation such as the Western Front Association, they have over 3,000 members with branches across the UK, as a body of ‘like minds’ supported to work on the content, a figure increased further by engaging local schools or colleges – especially where the work is made part of formal assessment.
A balance has to be found, I believe, between the qualities of a tool that is ‘fast’ and ‘cheap’, and where, if it is ‘out of control’ – but you want to use it, to do so by creating parameters or ‘scaffolding’.
Fig. 7. Following ‘City Walks’ near Bloomsbury Square, London.
The potential weaknesses of using QR codes include the requirement for participants to have a suitable device, say a smartphone or tablet and communication fees. QR codes may not be so easy to stick to, then read from, a standard Poppy either. Reading from and using a smartphone or tablet presents accessibility issues. Though these devices are also being used in resourceful ways to support people with disabilities, and an audio guide, say a minute per name, for a war memorial, has its appeal.
Fig. 8. A mash-up of old photographs overlaying a Google Map
In relation to creating and sharing content in an open culture, Robert Capps (2009) coined the expression ‘the good enough revolution’. This precludes being prescriptive or from expecting perfection. Whilst output on the First World War from the BBC and the Open University should understandably attain a certain professional standard, the kind of creation required of those researching names on war memorials themselves should take inspiration from this ‘good enough revolution’. Examples include ‘pinning’ names from a war memorial to a home address, sharing photographs in a Flickr gallery, ‘pinning’ World War One photographs to battlefield maps, sharing photographs on Pinterest, numerous inventive YouTube videos, shared documentaries and memoirs presented as blogs.
Fig. 9. A mash-up of War Memorial which featured a Poppy, adding a QR code and links to an interactive online activity and a blog.
What has been shown, in museums and ‘out in the field’, is that simply ‘put out there’ QR codes are ignored. This makes the idea of ‘wearing your Poppy featuring your QR code’ appealing, as each person becomes an ambassador on the ground, in the street, on site, for that nugget of information, especially so if they are also responsible for – and proud of creating the content you then link to. The opportunity exists to engage people in bringing the stories of those named on our war memorials alive and sharing this knowledge in an invigorating, dynamic and Web 2.0 way. As a result, a deeper and more meaningful connection is made with the past and our relationship to it.
REFERENCE
Awano, Y (2007). Brief pictorial description of new mobile technologies used in cultural institutions in Japan. The Journal of Museum Education, 32(1), 17-25
Capps, R (2009) ‘The GOod Enough Revolution: When Cheap and Simple is Just Fine’, Wired Magazine: 17.09. Avaialble at http://www.wired.com/gadgets/miscellaneous/magazine/17-09/ff_goodenough?currentPage=1 [accessed 18th February 2014]
Denso (2014). QR Code Standardization. Available at http://denso.com/ [accessed 18th February, 2014] also at http://www.denso.com.au/Products/Non-Automotive/Data-Capture/QR-Code
Edudemic. Traditional Learning Theories. Available at http://edudemic.com/2012/12/a-simple-guide-to-4-complex-learning-theories/ [Accessed 19th April 2014]
Efimova, L. (2009) Passion at work: blogging practices of knowledge workers. Novay PhD
Research Series 2009. Available at www.novay.nl.dissertations [Accessed 19th April 2014]
Gradel, K., & Edson, A. J. (2012). Higher ed QR code resource guide.
Hicks, A., & Sinkinson, C. (2011). Situated questions and answers: Responding to library users with QR codes. Reference & User Services Quarterly, 51(1), 60–69.
Information Standards Committee (2008) Section 3: QR code, Synthesis Journal. (From http://www.itsc.org.sg/pdf/synthesis08/Three_QR_Code.pdf )
Kerry-Bedel, A (2011) Smartphone technology – the future of heritage interpretation: Its in conservation. Avialable at http://www.kbstconsulting.co.uk/QR/images/ITIC.pdf [Accessed 14th February 2014]
Lamb, B (2010) ‘Open Contempt’. Available at http://wiki.ubc.ca/Open_Contempt [accessed 18th February 2014]
Li, J., & Chignell, M. (2010) Birds of a Feather: How personality influences blog writing and reading. Science Direct. International Journal of Human-Computer Studies 68 (2010) 589-602
Nielsen, J (1999) Web Usability
Robinson, K. (2010). Mobile phones and libraries: Experimenting with the technology. ALISS Quarterly, 5(3), 21–22
Ryerson University Library & Archives (2012). QR codes. Retrieved 6th Feb 2014, from http://www.ryerson.ca/library/qr/.
So, S. (2008). A Study on the Acceptance of Mobile Phones for Teaching and Learning with a group of Pre-service teachers in Hong Kong. Journal of Educational Technology Development and Exchange, 1(1), 81-92.
Vernon, J.F. (2012) How Blogging is going all TV. (Blog post) Available at http://mymindbursts.com/2012/01/06/how-blogging-is-going-all-tv/ [Accessed 18th February 2014]
Vernon, J.F. (2013) Mobile learning at the Museum of London: QR codes and NFCs. (Blog post) Available at http://mymindbursts.com/2013/11/10/molqr1/ [Accessed 14th February 2014]
Weller, M (2011) The Digital Scholar: How Technology is Transforming Scholarly Practice. 5% Loc 239 of 4873
eBooks vs. textbooks – towards the hybrid
It amazes me how when reading something and pointed to a footnote or reference that if I choose to do so a few clicks and the reference is before my eyes. Reading up on the First World War there are books from 1914-18 that are freely available in digital form – the additional insight is when you glance at such a reference is to wonder why an author chose that sentence or paragraph, often I find there is something far more interesting being said.
All of this has me reflecting on ‘interpretation’ and how increasingly, because we can, we should, because we can, check up on authors – certainly take them off their academic pedestals as their word is never absolute, is inevitably biased – and sometimes they get it wrong.
There are two kinds of connectedness here:
1) with references the author has used – how selected, why they thought them of relevance or interest (and the authority and credibility of these references)
2) with fellow readers – which, if you want a response, I increasingly find in Amazon of all places. There are always a few people who have picked through the text, who are willing and able to other a response or to sleuth it out with you.
How does this change things?
The Web puts at anyone’s fingertips resources that until recently were the exclusive domain of university libraries – the older, wealthier universities having the richest pickings and broadest range of references. To ‘look something up’ as we now do in a few moments could take a couple of days. ‘Learning at the speed of need’ is a phrase I like, used in the context of applied learning in business, but just as apt here.
As a consequence, earlier in their careers, students will have a broader and stronger, personal perspective. And as a consequence there will be more people ‘out there’ to join an informed discussion. And as a consequence more new ideas will come to fruition sooner and faster. And as a consequence, collectively, or common understanding will grow and develop faster than before.
Leveraging mobile technologies and Web 2.0 tools to engage those with an interest in the centenary of the First World War in the stories of the people of the era using strategically placed Quick Response codes.
Jonathan Vernon at the Design Museum. J F Vernon (2011)
Access to the conference sessions is limited to H818 participants, MA ODE alumni, and IET staff.
If you fall into one of these categories and would like to register for the conference, please complete this short Registration Form.
Fig. 1. Lewes War Memorial, East Sussex, England J F Vernon (2011)
The problem with war memorials is that those named on them risk becoming forgotten words on a list.
By using the Web we can find out who these people named on the war memorials were and where they lived; we can try to put a face to the name and a story to the name … and then we can share what we find.
There are more than 54,000 war memorials in Great Britain, most of these put up after the First World War. There is barely a community without one. Significant interest already exists, especially as we approach the centenary of the First World War making this initiative a potentially easy one to add to what is already taking place.
Fig. 2. British Legion Poppy featuring a Quick Response Code
In his 2011 book ‘The Digital Scholar’ Martin Weller shares the thoughts of Brian Lamb to describe those technologies that ‘lend themselves to … the networked and open approach’ as ‘fast, cheap and out of control’.
It was with this in mind, taking an interest in the centenary of the First World War and obsession with war memorials that I started to think about using Quick Response codes as a personalized entry point to the Web that anyone could generate in order to share a story about someone who served in the conflict, and to do so both online and on the street.
Quick Response codes are fast, they are free and their potential in learning has yet to be realised.
Worn in this way, featured in the center of your commemoration Poppy, you can share directly with others the person whose life you wish to remember, as well as directing people to the content online and inviting them to ‘adopt’ a name from a war memorial themselves. Though exploiting the Web, this is designed as a ‘blended’ experience that uses face-to-face, community and classroom experiences, as well as taking people outside to monuments, buildings, streets and battlefields.
Esponsorvik (2014 )
Fig. 3. Toyota Quick Response Code and Using a TV remote control Espensorvik. Flickr
‘QR codes’ are a product of the car manufacturing industry. Faced with increasingly complex components, Denso, a supplier to Toyota, came up with what is a 2 dimensional bar code in the 1990s (Denso, 2010). Made free of patent, and using free software anyone can now generate their own unique QR code. You can even print them out on standardised sticky label stationery.
Fig. 4. Google Search ‘Quick Response Codes Education Images’ (2014)
There are a myriad of uses for QR codes, from embedding information that is read and stored by the device to a quick link to rich content online. Barrett, 2012). The interest here is to use QR codes to link to learning resources, in mobile, or ‘m-learning’ contexts in particular and for users to both read and write such context.
I liken QR codes to using your phone as a remote control to click to a TV channel (Fig 3) . You point a smartphone, or tablet at the QR code to read it and go instantly, pretty much, to a web page.
Their use in education in the last decade has been limited. ‘Refereed (sic) papers are few’ (Gradel & Edson, 2012), but between these and other published reports, suggestions can be made regarding their strengths or weaknesses.
If QR codes are to be used successfully then champions need to be identified to take up the cause in schools, colleges and local associations. Whilst QR codes use the power of the Web to connect people to rich content, that they may create themselves, a good deal of thoughtful planning will be necessary ‘in the classroom’, not just explaining how to make use of QR codes, but also working them in, where appropriate to current learning schedules where QR codes used in this way will meet clear learning objectives. Support online could be provided in a short eLearning module.
What has been shown repeatedly, in museums and ‘out in the field’, is that simply ‘put out there’ the QR codes are ignored (Gradel & Edson, 2012). An innovation such as this requires considerable promotion and support. This makes the idea of wearing your own QR code on a Commemoration Poppy all the more appealing, as each person becomes an ambassador on the ground, for that nugget of information, especially if they are responsible for creating and hosting that content.
The opportunity exists, therefore, mentored and guided by educators, with support online, for schools, colleges and associations to engage people in bringing the stories of those named on our war memorials alive. In this way a deeper and more meaningful connection is made with the past and our relationship to it.
Copyright © 2010, The New York Times Company. Photography by Jim Wilson
Fig. 4. Handheld curator: IPod Touches and visitors at the San Francisco Museum of Modern Art. (The New York Times)
According to the 2009 Horizon report (Horizon, 2009) the following would be of growing significance in teaching: mobile devices, clouding computing and the personal web. As an innovative approach, QR codes exploit all three of these developments.
Use of QR codes in learning however has had mixed results. Simply putting a QR code in front of a museum artifact, as they’ve done at the Museum of London and did at the Design Museum does not work (Vernon, 2013) – there is plenty already, there is little to attract or promote their use, not everyone has a smartphone or tablet of course and the technology is often not robust – ‘out of use’ signs are familiar. Outdoors QR codes added to signs in the South Downs National Park, for example, barely received a view a day during a three month trial and in some instances there was no signal at all (Kerry-Bedel 2011; South Downs, 2012).
Where QR codes have been successful is in targeted learning experiences in schools (Tucker, 2011; Gradel & Edson, 2012), where the affordances of the QR code have been exploited to form part of an engaging, constructive and collective learning experience. To be effective this initiative with war memorials requires galvanizing people to take part in a joint exercise – easier with a class in school or college, less easy with the general public unless it is through a national, regional or local community association or interest group.
Examples where QR codes work include where participants are ‘equipped’, and where they can take an active role, such as in ‘on the spot’ surveys or quizzes, where they are prompted into cooperative learning and where timely ‘Frequently Asked Questions’ are given. (Awano, 2007: Information Standards Committee 2008; So 2008; Robinson, 2010; Hicks & Sinkinson, 2011; Ryerson Library & Archives, 2012.)
K Lepi (2012)Copyright 2013 © Edudemic All rights reserved
Fig 5 . A Simple Guide to Four Complex Learning Theories. Lepi (2012)
The theory behind the idea of using QR codes in a mobile and open way, is that in the digital age ‘connectivism’ is the ‘modus operandi’. In this diagram (Fig. 5) from Edudemic (Edudemic 2012) traditional and digital theories are concerned. All are relevant, each has its place, with the digital environment offering new and additional approaches to learning.
Whilst traditional learning methods have their role in schools, lecture halls and with mature students too, the complete learning package requires a level and quality of interaction and connectedness that can only be achieved on the Web and be effective where the body of learners is large and their approach is open and shared so that knowledge acquisition comes through the challenges and rewards of such intercourse.
Connections won’t occur however unless they are nurtured. By way of example, wishing to support and promote the combat memoirs of my late grandfather John Arhtur Wilson MM (Vernon, 2012) a number of organizations will be approached up and down the UK in relation to his experiences in the Durham Light Infantry, Machine Gun Corps and Royal Air Force. The Web will both help identify, forge and maintain and develop first and subsequent connections in what would hopefully be, to be effective, a two way, shared, open and reciprocal relationship. The beauty of having content already online is that others can quickly view it and images, text and sound files, even video, adjusted to suit different audiences, or uses – and used freely where appropriate copyright permissions are given.
JFVernon 2010 from statistics from Jakob Nielsen (1999)
Fig 6 . Creators, commentators and readers – how use of the Web stacks up. Vernon (2010) after Nielsen (1999)
This degree of connectedness does not come naturally. Just as there can be no expectation that people will use a QR code because it is there – they won’t. With an innovative approach such as this promotion is crucial. Significant time, thought and effort need to be put into letting people know what is taking place and supporting their participation.
Only a fraction of a population are naturally inclined to generate content.
Jakob Nielsen (1999) would suggest that as few as 1% create content (Fig. 6). If content is therefore to be created by participants then very large numbers need to be made aware of the initiative. Online, openness helps when it is massive. Participation is improved where it is supported and moderated. Creators, commentators and readers each have a role to play.
The balance needs to be found between the qualities of a tool that is fast and cheap and where out of control means that something isn’t used in a way to benefit a formal learning requirement. On the one hand those who want to generate content can be encouraged to do so, while in a formal setting the intention would that everyone generates content of some form in order to receive feedback and assessment.
Fig 7. The Newcastle War Memorial by Sir William Goscombe John RA J F Vernon (2011)
The potential weakness of using QR codes are the requirement for participants to have a suitable device, say a smartphone or tablet and the possible communication fees when connecting away from a free wi-fi source – which is likely to be the case at a war memorial (Gradel & Edson, 2012).
Reading from and using a smartphone or tablet may also present accessibility issues, from the need for dexterity and reading content that isn’t offered in alternative forms, such as text sizes and background or audio alternatives.
There are many examples where local councils feel a war memorial or building is so important that they have invested in information placards on site (Fig. 7). As commemoration of those who served and died in the First World War is of local and national interest funding is potentially available to help support initiatives such as these through the Heritage Lottery Fund, while organizations such as the Western Front Association have funding for branch activities too.
If permission is required for personalization of a British Legion poppy using a QR code, then alternatives may be required, from working with other suitable groups such as the Imperial War Museum or Western Front Association to putting the QR code on a badge instead.
Where used in the field it is likely that a teacher would put out sets of QR coded markers in advance and collect them afterwards. Where a photograph in a town featuring before and after views permission may also be required if any kind of QR coded plaque or poster is to be put up. Other inventive ways to use a QR code would be to attach them to an obstacle course like trench experience where each code triggers elements of a task, sound effects or narrative in keeping with the setting. By way of example, at the ‘In Flanders Museum’ in Ypres a number of exhibits require the visitor to duck, crawl or crane their neck before supporting audio or lighting is triggered by a Near Field code in a bracelet.
Fig. 8. The memoire of a Machine Gunner and RFC Fighter Pilot. ‘That’s Nothing Compared to Passchendeale’
J F Vernon (1989-2014)
In his 2011 book ‘The Digital Scholar’ Martin Weller shares the ideas of Robert Capps (2009) who coined the term ‘the good enough revolution’ – in relation to creating and sharing content in an open culture. This precludes being prescriptive or from expecting perfection.
Whilst output on the First World War from the BBC, the Imperial War Museum or the Open University should understandably attain a certain professional standard, the kind of creation required of those research names on war memorials should take inspiration from that is more than just ‘good enough, from ‘pinning’ names from a war memorial to a home address, to ‘pinning’ submitted World War One photographs to Google maps over former battlefields, as well as numerous inventive YouTube videos and memoirs presented as blogs.
REFERENCE
Awano, Y (2007). Brief pictorial description of new mobile technologies used in cultural institutions in Japan. The Journal of Museum Education, 32(1), 17-25
Barrett, T (2012). 50 Interesting ways to use QR codes to support learning. (Last accessed 6th Feb 2014 https://docs.google.com/present/edit?id=0AclS3lrlFkCIZGhuMnZjdjVfNzY1aHNkdzV4Y3I&hl=en_GB&authkey=COX05IsF
Denso (2010a). QR Code Standardization. (Retrieved 6th Feb 2014, from http://www.denso-wave.com/qrcode/qrstandard-e.html )
Edudemic. Traditional Learning Theories. (Accessed 19th April 2013) http://edudemic.com/2012/12/a-simple-guide-to-4-complex-learning-theories/
Gradel, K., & Edson, A. J. (2012). Higher ed QR code resource guide.
Hicks, A., & Sinkinson, C. (2011). Situated questions and answers: Responding to library users with QR codes. Reference & User Services Quarterly, 51(1), 60–69.
Horizon Report 2009 (2009) Educause (Accessed 14th Feb 2014 http://www.educause.edu/library/resources/2009-horizon-report )
Information Standards Committee (2008) Section 3: QR code, Synthesis Journal. (From http://www.itsc.org.sg/pdf/synthesis08/Three_QR_Code.pdf )
Kerry-Bedel, A (2011) Smartphone technology – the future of heritage interpretation: Its in conservation (Accessed 14th February 2014 http://www.kbstconsulting.co.uk/QR/images/ITIC.pdf )
New York Times. The Best Tour Guide May Be in Your Purse. Article by Keith Schneider. 18 March 2010. Copyright © 2010, The New York Times Company http://www.nytimes.com/2010/03/18/arts/artsspecial/18SMART.html
Nielsen, J (1999) Web Usability
Robinson, K. (2010). Mobile phones and libraries: Experimenting with the technology. ALISS Quarterly, 5(3), 21–22
Ryerson University Library & Archives (2012). QR codes. Retrieved 6th Feb 2014, from http://www.ryerson.ca/library/qr/.
So, S. (2008). A Study on the Acceptance of Mobile Phones for Teaching and Learning with a group of Pre-service teachers in Hong Kong. Journal of Educational Technology Development and Exchange, 1(1), 81-92.
South Downs (2012) Use of QR Codes (Accessed 14 Feb 2014 http://southdownsforum.ning.com/forum/topics/signposting-and-qr-codes )
Tucker, A. (2011). What are those checkerboard things? How QR codes can enrich student projects. Tech Directions, 71(4), 14-16.
Vernon J.F. (2012) (Blog Post) (Accessed 14th February 2014 http://machineguncorps.com/jack-wilson-mm/ )
Vernon, J.F. (2013) (Blog Post) Mobile learning at the Museum of London: QR codes and NFCs (Accessed 14th February 2014) http://mymindbursts.com/2013/11/10/molqr1/
Weller, M (2011) The Digital Scholar: How Technology is Transforming Scholarly Practice. 5% Loc 239 of 4873
NOTES AND LINKS
The teachers guide to copyright and fair use. http://tech4classrooms.org/2013/02/16/the-teachers-guide-to-copyright-and-fair-use-edudemic/
Lepi, K (2012) A Simple Guide To 4 Complex Learning Theories. Edudemic eMagazine 24th December 2012. (Accessed 14th February 2014. http://www.edudemic.com/a-simple-guide-to-4-complex-learning-theories/ )
LINKS
The Newcastle War Memorial by Sir William Goscombe John RA
We remember thanks to repetition
From E-Learning III |
Repetition or re-visiting is vital. We cannot help but change our perspective as we gain more experience, insights and knowledge. We need repetition in order to get ‘stuff’ into the deeper recesses of our brains where wonders are worked. Therefore, far better to exposure to brilliance often, rather than giving them something less than brilliant simply because it is new, or an alternative. If nothing else Web 2.0 ought to be giving students the chance to find and limit themselves to the best.
Vibrancy and energy are born of risk
Fig. 1. In Dracula mode
I was up at 3.30am and I’m not even presenting. It brings out the vampire in me.
I use these early hours to write – pulling together ideas before they blow away in the wind of daily life in a household where the number of teenagers has suddenly doubled. We have the older teenager couple, and the young teenager couple … and the parents of two of this lot looking at each other and thinking ‘we’re teenagers too’.
Three hours of short presentations and without exception each has an impact and contribution to my thinking an practice.
This despite the presence of a lorry full of blokes with pneumatic drills who attacked the house an hour ago – cavity wall insulation.
I am sitting here with industrial strength headphones – for a ‘test to destruction’ I’d say that these Klipsch headphones are doing their job admirably. I ‘suffer’ from having acute hearing … I do hear the pins drop a mile away. I need headphones like this whenever I leave the house otherwise travelling is a nightmare.
Is this normal?
The great value of a session like this is to listen to your fellow students – a voice, more than a face, evokes character and conviction. Not that I ever doubted it but everyone is clearly smart, focused and keen to ‘play the game’ when it comes to using online tools.
There isn’t enough of it.
The OU has a habit of designing the life and risk out of a module. Bring it back. Vibrancy and energy are born of risk.